● Birthplace: Tehran
Biography
His family was from Aran and Bidgol. His father, Zokai Beizai Arani, was a reciter. His uncle, Adib Beyzai and his grandfather, Ibn Rooh Arani, were all involved of the hand and set the text for their interests. He wrote two plays with a historical language in the final years. He had completed his academic education in literature, and in 1959, he hired a general office of Damavand Property and documentation. He writes the review, research and scattered materials on display and cinema in publications such as: Science and life, art and cinema, Arash’s news, music magazine, Kayhan Moon, Star Cinema magazine, the Book of Lights and… Started this year. In 1962, the Office of Dramatic Arts was later transferred to the Office of Theatre programs. This year published research in Iran in music magazine. In 1965, he married Monir Azam Raminfar, the outcome of the marriage of three children named: Niloofar born 1966, Arzhang born 1967 – died in 100 days and Negar was 1972. Ostad Beyzai began his cinematic activity with filmed a eight-minute black-and-white film, in 1962. After making the short film of Uncle Sabilu in 1970, yearnings the first film in the year 1971. The Ballad of Tara and the death of Yazdgerd were films that he made during the years 1978 and 1981, and so far they were banned. He has often faced many difficulties to make her films. He has been published in the past 10 films and 4 short films. After the public show of the dog film, in 2001, with the widespread welcoming of critics and people, he had unveiled all of the time in 2008. But the director of the film has also been developed and produced in the cinema.
Since 1961, he was in earnest to write plays and directed his first presentation in 1966. He accompanied Akbar Radi and Gholamhossein Saedi are the founders of Iran’s new wave of playwriting. His stage performances were often of hot shows. Bahram Beyzai, in 1979, exhibited the death of Yazdgerd to the scene. After eighteen years of being deprived of the scene in 1997, two by (his book card) and his (female), simultaneously in the Hall four and the Qashqai Hall in the City theater was staged. (The night of Thousand I) also carried out in a four-side hall in the year 2003. His next show in Iran (Maple, or day passes) in the winter of 2007, in the Vahdat Hall of Tehran went to the scene, successfully and welcomed the audience with little. His other show is the shadow of the game (Jana and Bladvar), which has been staged in Stanford in the United States in July 2012. Another show by Beyzai until the present time, the Arda Viraf report, which went to the scene in 2015, in the U.S. and with the Iranian actors Group.
Master Bahram Beyzai, one of the founders and the main members of the Iranian Writers Association in 1968, which was the center of the Kanoun in 1978. In 1969, he worked as a visiting master at the University of Tehran. In 1973, the Department of Theatre programs was transferred to Tehran University as assistant master of full-time view of the Faculty of Fine Arts and the management of the field of performing arts. In 1981, after twenty years of public work, he was expelled from Tehran University. In 1985 to 1987, his family emigrated from Iran. In 1986, his father, master of Ne’mat’ollāh Zokai Beyzāi, was also died. In 1992, he married to Mojdeh Shamsaei in a 1992. The son of the end was born in 1995. In 1996, he settled in Strasbourg with the international writers ‘ Parliament invitation. In 1997, he returned to Iran and began working on a woman’s show, after eighteen years away from the scene. The mother of Nayereh agrees, in 2001, said goodbye life. He is currently residing in the United States and is teaching and researching at Stanford University. In 2012, Stanford’s Heritage-culture award was donated to him. And in 2013, Harvard University donated the Sinai Prize to Beyzai.
In the years that the scene remained away from the stage and had no opportunity for film-making, he was writing a letter and a film. Some of which have been published by Roshangran publications and women’s studies. Some of his important plays are: death of Yazdgerd, Fath-Kalat and Sohrab. His writings are considered in the language of the tongue, because in the words (Arash), (the Yazdgerd), (the death of the case), (Sohrab) and (a case report), there is no Arabic word to use!. He is one of the few Iranian artists, both in the scene showing a brilliant and in the cinema. At the same time, he has always been interested in the field of display, and in the years 1961 published books about the show in China, Japan and Iran, which is still a source of students in the field of view.
In a cinematic article on The Killing Mad Dogs, who has been inserted in Moayeri culture, has been about Master Bahram Beyzai: Beyzai is a word: Master. Only one word. I wish I could post that kind of expression to be a master. His eyes know things are so far, pure and rare that they can’t talk about them.
Cinema
2008 – When We Are All There
2001 – The Killing Mad Dogs
1991 – Travelers
1987 – Maybe When Again
1985 – Basha Minor
1981 – Death Yazdgerd
1978 – The Ballad of Tara
1976 – Crow
1973 – Stranger And Fog
1971 – A shower
Short Films
1970 – Amoo (Uncle) Sibilou
1972 – Travel
1998 – A Conversation With The Wind
2006 – Spokesperson Carpet
Theater
1966 – Dolls
1967 – Banquet and heritage
1969 – Sultan Mar
1979 – Death Yazdgerd
1997 – 1998 – Bandardesh
1997 – 1998 – Banu Dame
2003 – 1st Night
2005 – The Majles Zaynab bint Ali in mentioning the master Navid Makan andhis wife Mr. Rokhkhashid Farzin
2007 – maple or Day PassesM
2012 – Jana And Baladoor
2013 – Arash
2015 – Report of The Erdadrough
2016 – Cheerfulness E
2018 – Crossroads
Bibliography
Some seventy Persian books have been published since the Beyzai. That display letters and films, stories, dialogues, historical and cultural research, etc. Some of them have been translated into other languages as well. A selection of these books is as follows:
Drama
1958 – 1963 – Arash
1959 – Zahhak
1961 – 1995 – Record Bondar Bidakhsh
1962 – The Scarecrow At Night
1962 – Dolls
1962 – Sunset in Aghaghi
1963 – A Hidden Moon
1963 – The Pahlavan Akbar Dies
1964 – 8th Sinbad Travel
1965 – Mr. Esiri’s Press World
1967 – Chaharsafin
1967 – Banquet
1967 – Legacy
1968 – The Rescue Beach
1968 – Balkh Court
1968 – In The Presence of Wind
1969 – The Missing
1970 – Way Stormy Steering Wheel From Darkness
1977 – Wailing
1978 – Wall Posts
1979 – 1980 – Yazdgerd Death
1981 – Print 1983 – Memoirs of The Second Actress
1982 – Fath Kalat
1985 – Curtain House
1988 – Jange Ghlaman
1994 – Cheerfulness E
1994 – Sohrab Piping
1997 – Assembly
1997 – Maple Or Day Passes
1998 – Majlis Senemar
1999 – Report of The Erdadrough
2000 – A House of Whack
2003 – The Court of View
2003 – 1st Night
2004 – The Majles Zaynab bint Ali in mentioning the master Navid Makan and his wife Mrs. Rokhkhashid Farzin
2011 – Spoil Letter
Scenario
1970 – Amoo Uncle( Sibilo)
1970 – A Shower
1970 – Single Carat
1972 – Travel
1972 – Stranger And Fog
1975 – Facts About Leyla’s daughter Idris
1975 – The Ballad of Tara
1976 – Crow
1976 – Deer, Celar, Tuzak And Others
1979 – Tales of The Funeral
1980 – Night Otter
1980 – The Occupation
1984 – The Fateful Day
1984 – Old Pirabad Case
1989 – Sheikh Sharzin’s Petition
1992 – Travelers
2001 – A Dog Tap
Narratives
1961 – Zahhak
1963 – Arash
1970 – Truth and wise Man
Researches
1964 – Theater In Japan
1965 – Theater In Iran
1970 – Theater in China
2004 – Rooting Old Tree
2012 – Where is a thousand Afsan?
Awards
1972 – Winner of Statue of appreciation for best Screenplay-the fifth Festival of Appreciation
1972 – Award winner of Best Film Festival in Tehran-showers
1972 – Award winning Best Short film from Chicago International Film Festival -Travel
1972 – Award winning Best Short film from Moscow Film Festival-Travel
1975 – Special prize winner of Cairo International Film Festival-Stranger and Fog
1987 – A Golden plaque candidate for the best Fajr Film Festival – maybe when…
1987 – Winner of the first prize of French film and arts festival-Basha, small stranger
1991 – The best-directing Crystal Simorgh from Fajr Film Festival-travelers
1991 – The winner of the Crystal Simorgh Special Jury award-travelers
1991 – The best Crystal Simorgh candidate for compilation-travelers
1994 – Nominated Crystal Simorgh Best Screenplay-day Event
2000 – Winner of Crystal Simorgh Best Screenplay-dog Tap
2000 – The best-in-director Crystal Simorgh candidate
2000 – The best Crystal Simorgh candidate
2008 – Winner of Crystal Simorgh Best compilation-When we are all
2008 – The candidate of Crystal Simorgh best directed-when all are Sleeping
Iranian Cinema House Awards
2000 – The golden statue of the best screenplay in the Feast of the Cinema House-Killing Mad Dogs
2001 – Winner of the golden statue of the best director of the Cinema House -Killing Mad Dogs
2001 – Nominated golden Statue Best Film Gala House of Cinema-Killing Mad Dogs
2001 – Nominated film Golden Statue of Association of Writers and critics-Killing Mad Dogs
2001 – Golden statue candidate for the best compilation of the Cinema house -Killing Mad Dogs
2001 – Golden Statue candidate best title of the Cinema House-Killing Mad Dogs
