● Birthplace: Tehran
Biography
By participating in Aydin Aghdashloo’s drawing and painting classes in 1984, she seriously discovered her interest in art. In 1989, she taught pottery with Abdollah Mehri, in 1997, and continued sculpture with the Shahabi in a year. At the 4th Fajr Visual Arts Festival, a film of his life was exhibited as Rocky dreams. She had used materials such as flowers, stones, bronze, pacum, etc., to construct his sculptures. In recent years, she has focused more activism on stone technique and believes that it prefers the stone technique on other sculpture techniques. In fact, she is one of the discuss statue in the field of continuous activity and the pan has been held several exhibitions of his works. She is the founder of Divine Art Gallery and the Free Academy of Visual Arts in Rasht City. The sculpture style of the divine Sage is figurative. His concern is human states, and because it is the first human expression, the figurative method has chosen. His works are very short and abstract, and only when it comes to providing details, to help the overall sense of the effect. She is considered that the human body has a emotional burden on the shower that no other form can be interpreted as much. She is the wife of Hamid Alidousti (former national and scorer famous national team, has A degree in coaching and coaching in various national categories with A history of coaching in Saipa teams, Paykan and the national team of Omid Iranian teenagers) and Pouyan Alidousti and song Alidousti, the famous cinema actress.
Works
2016 – Sardis Dr. Mohammad Ali Mojtahedi Gilani, founder of Sharif University
2016 – General martyr Mousa Namjoo, Minister of Defense of Islamic Republic of Iran
2016 – Dr. Mahmoud Behzad, father of modern biology of Iran
2016 – Prof. Madjid Samiei, a leading neurosurgery surgeon
2016 – Ferys Fereidoun-Pourreza, singer and musician-named Gilan
2016 – Mohammad Hossein Amin Seigniorage, Iranian Power Father
Individual Exhibitions
1999 – Goli sculpture – Saadabad gallery
1999 – Stone And Flower Sculpture – Niavaran Gallery
2001 – 70th effect of Haft Honarmand – Saadabad Gallery
2003 – Paper Masks – Soil gallery
2003 – Atbin Stone Gallery
2003 – Stone And Bronze Sculpture – Golestan Gallery
2008 – Earthly Dreams – House of Iranian Artists
2008 – Exhibition of International Onggi Competition – Ulsan Korea
2008 – Online Art Scope Exhibition – Basel Switzerland
2009 – Four Paper Releases and Bronze Statues – Iranian Artists House
2008 – Sculpture – Golestan Gallery
2010 – Complex of Works – Shahr e-Ketab (Book City) Center Gallery
2010 – Art Expo – Iranian Artists House
2010 – 100 Artist Effect – Golestan Gallery
2011 – Support Stricken Earthquake in Japan – Iranian Artists House
2011 – Jorjani Gallery – Shadows
2012 – The Owls of The Fallen Birds – Farmanfarmaian Garden
2012 – Haft Negah – Niavaran Gallery
2012 – 100 Artist Work – Golestan Gallery
2013 – Haft Negah – Niavaran Gallery
2014 – Haft Negah – Niavaran Gallery
2015 – 100 Artist Work – Golestan Gallery
2015 – Foresh Sandy Sculptures Festival – Beach Anzali Free Zone
2015 – Haft Negah – Niavaran Gallery
2017 – 100 Artist Effect – Golestan Gallery
2017 – Refugee Collection (Painting) Group Exhibitions – Sayeh Gallery
2017 – One of Thousands – Elahi Gallery
Establishment of Elahi Art Gallery
On the streets of Takhti city of Rasht, in the same area as chandelier shops come with luminance, at the end of the alley, a happy deadlock and in a beautiful house that is peaceful on its space, a new art gallery has been opened. According to God’s wise, the launch and start of the Divine Gallery’s activity is more than artists in order to support. She says: Painting exhibition is a small collection of thousands of Iranian fakher art that we strive to establish new sets of “one of thousands” in the Divine Art Gallery in the coming years. Stating that the artist is one of the main foundations of the country’s culture, she reiterated: we strive to cooperate with officials and custodians, over the past, to witness the flourishing culture and art activities of Gilan province. In continuation of the fact that artists as one of the main pillars of the culture of a society, in the first place need to provide a suitable and appropriate location for presenting and displaying their works: galleries, creative space for the confrontation of the artist and the people and the appropriate hospitalization to create a direct connection With audiences. According to this artist, it is important to create suitable spaces for presenting artworks because it is the only way to preserve and promote cultural development.
