● Birthplace: Tehran
Biography
He is singer of famous anthem: Iran,Iran (Allah, Allah), in early days of victory of Islamic Revolution. He was the only child of the family and completed his school and high school in Tajrish. He was interested in a pilot and tried twice, but did not get a successful test. After that, he brought to the paintings and attended the show Vis and Ramin to show the workshop. The role of plays on television began with a role in 2 parts of the series, and with a sparkle in the health community TV series, was officially considered. After playing this collection, he chose his khachikian to play the film in the Eagles, and thus entered the cinema field. In fact, Reza Roygari, with the films of the film, directed the Khachikian to the cinema, and was composing for his works. He participated in painting exhibitions in Iran and the United States and a concert in the year 1996. Reza Rogari had no special activities during the years 1991 to 1995 until he returned to the arena of acting again in the appearance of the joy in the show and re-implementation in the United States. In 2003, with the presence of the film Boutique, Hamid Nematollah returned to the cinema again. He is the famous Iranian singer in the first victory of the Islamic Revolution. He immigrated to the United States since 1994 and returned to the cinema in 82 with the film boutique, after a few years back and away. The Boutique is the name of an Iranian film directed by Hamid Nematollah in 2003. This film won the Crystal Simorgh Best Film from the 22nd Fajr Film Festival. In the films such as Golshifteh Farahani, Mohammadreza Golzar, Hamed Behdad, Reza Roygari, Afsaneh Chehreh Azad and… To play a role. Reza Roygari played in two films in the quarantine and insane Lily in the year 2007. Insane Lily is a film directed by Ghasem Jafari and Mr. Farhad Noori’s writing and Masoud Sehat, whose dream was to play a role in the side of Mohammad Reza Golzar and Elnaz Shakerdoust.
He was also published as a singer, Casablanca album in the year 2012. In recent years, he has also exhibited his works in exhibitions in Iran and the United States. Reza Rogari has a lot of interest in sports, and most of the evening if it is not the head, he must find her in the gym. He now has a son and a grandson. Only his son lives in Germany, and his grandson named Ava, was born in the year 2007 in Goa, India.
Personal Biography
My father was a gardener. A noble and hardworking man and I only his son. So that I am not in mind a day of the actor. When I was a kid I painted. I had a very good friend who formulated with him in Tajrish alleys and painted them. He was my master and defects pirated menu. I later went to Master Rahim Navasi and learned painting. In the meantime, I understood that I had a voice and early for myself and later in the friendly and intimate gatherings of the table under singing. I was also in my memory of the cinema in the spring of Tajrish and from the place I was interested in acting. It was not as long as the cinema was going to be high, or it would be comfortable. The spring cinema was open only summer, and because it was an open cinema when it was raining, and every night he was showing a film in one session. Out in front of the head at the cinema of famous actresses, including Kirk Douglas and Brett Lancaster and Gregory Peck and others, I tell you that one day I must tug my photograph. But it doesn’t seem to be a favorable space.
My father was very religious and we did not have radio and television at home, even my cinema was not all and perfection. I went to the fullest, and I was going to see the film and I was usually half and half-ol and I was going to doubt that the father had to be doubted. I didn’t want to narehtsh. He loved me and was a hardworking and honorable man. I was thinking if I had been diverted to acting. The father, even with my painting, told him that he should not face the duty of the world to die in this case. If my father did not consent and took the front, perhaps I did not continue to do so. His satisfaction was very important to me. But he had been so honored that I was an ominous actor. In this way, Mansour Hallaj and the demonstration that he was about to help me. I have also said this before. I liked the journalist. Of course, when this incident came up, it was no longer a journalist and before, but at that point, they had a history of journalism and friendship. The friend of the same friend who cousin a lady was writer and director and he was familiar by NLP cousin with this lady, Ms. Khojasteh Kia. The Honorable woman had gathered a series of amateur and young actress to work with the show, and the figure was the form of a actor who wanted to play and sing together. He had also seen and heard that my voice was good and for the same time that I had suggested. I also wanted God and waited for such an opportunity. I didn’t know anything about acting. I went to high school and still had no diploma. So I didn’t know it was normal. I just knew that it would lead me to what my desire to do. I went to see me, Ramadan, and I was even fasting. Test was not the same. But I had to sing. I put a hard poem in front of me that if I am not mistaken, the Boyan was its the dust of the sad Chu. A hard and sturdy poem of Hafez, which is the same so without singing can not be read. What goes into reading it with singing. I left the song on the Bayat machine and finally I met with the director’s encouragement. I was close to iftar and I’m going impossible to say a day. I read and he defined me and I was red and white. I was elected there and I went to the group but it was run for about three years. Ms. Khojasteh, the middle of the work of Morocco went on its writing. When it was implemented, a powerful work came in. As a brook who had come to Iran, he defined. I’ve played those great views later. But that show hasn’t been because of me. This is not because of the work of Ulm, but because it was a strong job.
Later, I played in A Joy In the Joy Show that was written by Davood Mir Baqeri and I was directed by Siavash Tahmoures. And of course it was a strong task. It was working for me everything. I did not have a classroom and was a game. I learned many things there. Ms. Kia, for me Tazkeratol Olia., reads the generalities of Saadi and Rumi. I was familiar with other artists and I learned many of the other things. I was looking for a learn and I had fallen in the middle of the mind. So many years before I played A Joy In the Joy show I had fallen in the joy. It was seen so well that the Peter Brook had chosen me for Orghast. But for some reason I could not work. With that show another important occurrence of my life was the figure. I said my father’s satisfaction was very important to me. The father had heard that I was looking for art. My father’s whereabouts were told to him. They were saying that your son was not. My father suffered a lot and was upset. He liked the son of one of his seeds.
Ironically, the director of this show decided to implement it relying on Niavaran. He said, “I want to show it among ordinary people to know their opinion.” It was winter and the snow had come. The middle of Niavaran’s accent was a big platform and our view was carried out on it. Had been resurrection. The people gathered. Because they thought they were supposed to be a martyrdom of Imam Hussein (A.S.). But at least they realized that it was not, and some protested, that the imam was not the martyr. After a little more well-being, they explained that the story was related to Mansour Hallaj and the people were communicating with it. Perhaps it was their early thinking because of the name of the show. His name was Ebadati on the tribulation of Hussein Ibn Mansour Hallaj. I do not know who had informed my father that he had come to watch. The same as the doormeter. So that I did not see him and had been seen and had gone. He was not upset and proud too. He said it was not a religion. He was also given a satisfaction and I was no longer independent and the next work was far from Tajrish and Shemiran space. Later, when I read Iran’s song I was proud. It was not like the first time that it was said that our work is art, not playing.
After Hallaj’s view, my friends took me to work on the Vis and Rāmin, which was written based on the famous poem of Asad Gorgani. It was the director of Avansian’s work, which was a reputable and important director. When I went to this work, I would have two hundred, 000$, which later reached 700 Tomans and it was not a bad money. I was working on Esmail Khalaj.
By the same views, I had become a reputation leading to the theater’s limited reputation. Fereydoun Khoshnood must have heard my voice in front of these shows. In the amid of the revolution and its bustle, I said that the youth of the people are in the martyr, and are you sure that I am not singing kanashii? I did not think about the revolutionary anthem. Pleased to explain to me that song lyrics about the events of the day. And when I sang the poem, I saw that right, and what I knew was that I wanted to read the song that would sound like a ball and whisper the music of all people. Just 26 January 1978 to Saba studio on the street at the time and Palestine. The night was a military rule, and if we were to be forced to stay in the morning. However many times they had taken a choir. And of course they said they were students and they had been getting rid. When he did not know that he could be a revolution. He was a poem by Hossein Sarfaraz and the tape was recorded from those bony bands. And because it was not empty, I had spoken a poem from Ali Baba. When I read and the tape was spread until morning my home phone was not interrupted. Those who were from the theater clear that I was, but people didn’t know. It didn’t matter to me. I didn’t want to be a ria. He had claimed that he had read this time but I had only been laughing. Was not important. It was important that they had a positive impact on people. Later, I thought, why was it that Savak (Government agency) knew me not to read me. Surely they knew it too.
After the Islamic revolution, there were few who understood that I had read and perhaps I could be in the cinema and television. I continued to theater until the year 1984. I was then relieved and gone because of a series of annoyance. And with one of my friends, we made a small workshop and produced pickles. We took an old house and in that pickled, jam, and vinegar produced and poured into the people’s glass. It was also called Kadbano’s home products. We had found the overall customer and had flourished. So we had 10 to twenty workers. But Reza fearsome Allah forgive, bringing me back to another. It came to say: what are these things? You are a artistry and must make the cards more debt. I resisted. This time the letter was from the television. He said, “It’s a television work, and there’s a lion’s role you have to play. I did not accept the first time, but I saw my eyes again I was acting. Which was the name of the neighborhood health community. Next to that role, Samuel Khachikian the deceased, saw me and like for the role of Eagle film pilot. I became famous with it, and then Khachikian to pick me up for the Cheetah movie. And then I played in the leases.
I was raised in the cinema as a young and star face. I was well known by Khachikian work and I had been there. The leases were pretty floral and we cast it up too. The work of a comedy was an unparalleled position, and everything was hand in hand to make the film lasting. I and the police were the brother and the Our mother’s of the same exalted. Really was our mother all. They were almost at the same time with police. They played a role that there was really his mother. I was always like a mother. The summary after these films I played a lot of other movies.
I was removed by little. I don’t know why and I have never been seriously pursuing. For 10 years, I can to suddenly from the best years of my life to play. I was a star. Something else is contracted to work outside the bluff. But at least it was adventures, and I wondered why someone would not come to I. I was totally unemployed. Then I found out that there was a personal grudge. The last year I had seven films in the festival and I was turned into a super star, and the time was those who did not want this. Mental and financial conditions were very hard and I needed the necessities of life. I learned my childhood love. Painting. I approached it again. It was 1994 years ago and he went to master Rahim Navasi.
I worked so well that I would have been painting the course later. Because people knew me. I got a lot of disciples and I started teaching and work. My financial situation became good. Many would have liked to be my master, and I was not a bad teacher. I was also in art space, and I was not in need of anyone. Although it was a good life in painting, but it was not, my work. I was painting and did teaching that Siavash Tahmuras came to me. He said, “I want to work together with the theatre.” He wanted to practice a joy in the joy and to run America. We went and ran. I met my wife and I was married and my finances had been bad again. A friend called Mr. Eslami to the friend of Jamshid Shah Mohammadi told him that he would go to Reza Rogari to say he had a good guidance. I went. I went six months later and saw that the case was misunderstanding. And the summary that my work had been made. But good roles were not suggested to me, always the roles were short and bad and I was not accepted. Of course, I played in two serials in a friendly way. One year 1996 in the series of Leaves and wind, and the other is also the Youth series Mr. Ghari Zadeh.
We came to the year 2001. In this year Hamid Nemat rang me. I did not know him, but he defined my adventure that was interesting. He said years ago I was a journalist and you were an important actor. I had come to interview with you in the north of my field location. I decided that if I was a day of director I was a film actor. Summed up my movie actress Boutique. I was delighted when I learned my calendar in the Boutique. It is true that it was not the main role but a second role was a good and important part of work. I received a candidate for the best actress and was revived. When I came back I knew that the young face was not ten years ago and I should play good middle-aged and that our cinema unfortunately does not have these roles for us. So little came to the television side.
In these years I played a series of Breaker, which was very good and critiques for my game. I love my roles. At the very same time, I played a role where it worked, and people would do the whole job well and like my role and my play. I take this feedback from people’s comments on the street. I worked with the director and did not work again in 3 Ekhrajiha. Playing in the role of humor for me was a big risk but I am happy. Of course I am trying to repeat this role. I am satisfied with the rest of the work. Before all, I was busy playing in Mokhtarnameh that I had the role of Kian and never tired of working out. And I would like to mirbagheri and love your own. The dialogue is unique and does not compare the play in the role of Kian with any of our maps. Because I like this role for a variety of different reasons. I’ll play a good role on TV. I’m comfortable here and of course I’m not a film trap. I like to work in the cinema but have a good middle-aged and effective role.
Cinema
2018 – Snake Venom
2017 – Lasagne
2016 – Everything Is Normal
2016 – Good, Evil, Kitty
2015 – Stupid Philosophers
2015 – Good Comrades
2014 – Camera
2014 – 360°
2014 – Believe me
2013 – Put The Next Place
2012 – Shabash
2012 – 4 Band
2011 – Sinners
2011 – The Way to Heaven
2011 – A Sound That Stays
2010 – Ekhrajiha 3
2009 – Sweet Passion
2009 – Zamharir
2008 – Wave III
2008 – Wink
2008 – Gaga
2007 – Quarantine
2007 – Insane Lyli
2005 – Misdemeanors
2005 – Stars 1: Will Be Star
2003 – Boutique
2001 – The Doubt
2000 – Ray Traveler
1998 – Youth
1995 – Sheikh Mofid
1993 – Bluff
1992 – Alma
1992 – Hello – Fantasy
1992 – Bait
1992 – Honeymoon
1992 – A Man In The Mirror
1991 – The Legend of Mei Leopard
1991 – Istanbul Visit
1989 – The Deadline
1989 – My Daughter Sahar
1989 – Driven
1989 – The 27th Night
1989 – Temptation
1988 – Willow Branches
1987 – Land of Wishes
1987 – Stranger
1987 – Mineral Manga
1986 – Leases
1985 – Cheetah
1984 – Eagles
Theater
1969 – Vis And Ramin / Aravansian
1970 – Ebadati on ordeal Houssein Ibin Mansour / Khojasteh Kia
1971 – Mat / Houshang Touzie
1971 – Be Yourself And Eat Your Sweat / Houshang Touzie
1971 – How to Mash Rahim / Esmail Khalaj
1972 – Behold Quarter Habibolallah / Farhad Majdabadi
1973 – Golknows MS /Esmail Khalaj
1975 – 1973 – Friday / Esmail Khalaj
1976 – 1973 – Ghamar Dar Aghrab / Esmail Khalaj
1974 – Crackdowns / Sirous Ebrahimzadeh
1974 – A Seat Beside The Window / Abbas Nalbandian
1974 – The Moonlight Night Tonight / Ashurbanipal Babilla – Shiraz Art Festival
1975 – Jan Nesaar / Bijan Mofid
1975 – The Third Reich / Bijan Mofid
1975 – Phoenix And Butimar /Hassan Maleki
1975 – Two Sisters / Alireza Rezaei
1976 – Attraction / Reza Jian
1976 – The Last Time / Ashurbanipal Babilla
1977 – Plague / Ashurbanipal Babilla
1977 – Shabyat / Esmail Khalaj
1978 – The Dragons / Sadrodin
1979 – Squirrels / Mahmoud Ebrahimzadeh
1979 – On The Disappearance of Hossein Ibn Hallaj / Siavash Tahmuras
1979 – A Joy In the Joy / Siavash Tahmuras
1980 – Magnificent Circus / Sadegh Hatefi
1987 – The Glass Zoo / Khosrow Shojazadeh
1988 – Tourandokht Balouchnejad / Reza Karam Rezaei
1989 – Sayeh Simorgh / Saeed Soleymani
2000 – Artowoid / Majid Jafari
2001 – 2000 – Travesty Ghamar Dar Aghrab / Shohreh Lorestani
2002 – Waltz / Amir Dari
2009 – Mina’s Chicken / Tajbakhsh Fanaeian
TV
2015 – 2016 – Tele Film: Shoka’s
2015 – Tele Film: Two Suitor
2015 – Sir and Mrs. Sangi
2015 – Lonely Leila
2014 – Star Racer Twenty Referee
2014 – Tele Film: The Mirage
2014 – The Latest Game
2014 – Meraji Ha
2014 – Medina
2013 – Tele Film: Decades Shasti
2013 – Time For Love
2013 – Tele Film: Four Year Chair
2013 – Tele Film: Three Step Tattoo Epic
2012 – 2013 – Telephoto Movie Runner
2012 – The movie Trap finally
2011 – Three, Five, Two
2010 – Wave And Rock
2010 – Stopped
2010 – Kingdom
2009 – 2010 – Dara And Undar
2004 – 2009 – Mokhtarnameh
2009 – Constitutional Years
2009 – Where Is Such A Hastily
2009 – Bitter Sugar
2009 – Tele Film: Leaf And Wind
2008 – Operation 125
2008 – Tele Film: Warrant Draw
2006 – Dirty Money
2006 – Tele Film: Fox Traps
2002 – Lost Innocence
1995 – 2001 – Sun Night
2000 – Tele Theater: in Lion skin
1999 – The Iron Beast
1997 – 1998 – Leaf And Wind
1993 – Covenant of Blood
1993 – Sun On Soil
1993 – The Rpic Sacrifice
1985 – Jugs for Tomorrow
1984 – Neighborhood Health
1983 – Month Is Hidden
1982 – Neighborhood Go come
1977 – Moment
Home Network
2013 – Shahgosh
Singing
Albums:
2013 – Casablanca
1997 – From Love To Say
2003 – Uproar
1989 – My Daughter Sahar
1979 – Warrior Shout
1978 – Iran, Iran
1972 – The Tragedy Clock
