● Birthplace: Tehran
● Died: 14 October 2023 in Karaj
Biography
He was placed in a childhood under influence of his grandmother, who was a Muslim. In an interview in 1972, he said: “My grandmother was from the prayers of stanch, and under the influence of his spiritual atmosphere, I had been a real Muslim from the age of seven to fifteen years. In adolescence, he was interested in music and participated in the music class. He was with the help of his father Santoor and after a passion for Western music, the piano is also a tone. He was interested in cinema at 17 years and paid for better understanding of the day films to learn English. He managed the Atlantic Hotel for one year and became a U.S. education for twenty years. He initially sang the cinema but soon abandoned the cinema and went on philosophy to continue his education. He took the Bachelor of Philosophy in 1965 of UCLA, and in the same year 1965 editorial took The Pars Review magazine. He returned to Tehran a year later. In 1967, he was the first film with his name: Diamond 33 making it the film of Iranian cinema costly. The film was not successful in the sales box and became a trading failure. He was two years later and in the year 1969, the film: the cattle made. Cow film is one of the first films in Iran, which has been considered in western and European. This film is based on the story: Mourners Bill, written by Gholam Hossein Saedi. Gholam Hossein Saedi has also collaborated with the film’s letter to the film. In addition to the film, he was the producer of the film. The film, which was selected by the voting of critics in the years: 1972, 1988 and 1999 as the best film of the history of Iranian cinema, was unveiled at festivals like Cannes, Berlin, Moscow, London and Los Angeles. The restored version of the film is also exhibited in the festival: Chinama ritroato Italy. After the show in various festivals, the film has attracted the opinion of directors such as the Fleenney.
In November 2014, at the French Embassy in Tehran, the French ambassador was awarded the Knights of the French-and-Dariush-Arart award. He has always been one of the film makers of Iranian and prolific Iranians. He has also been a member of the board of Directors of Tehran Museum of Contemporary Art. “The marriage of the two children with Mary’s name was one of Iran’s first name architect,” he married Faryar Javaherian. Then he married with Vahideh Mohammadifar and the result of this marriage is a girl named Mona. Master Mehrjui, after returning to Iran, participated in an intellectual – friendly gathering. He and his wife and Goli and Dariush Shayegan and Hazhir Dariush, the middle of this crowded gathering, sometimes Sohrab Sepehri also came. His friends define the very naughty that, for example, how they would force the voices of different animals, and then they would be guided by a conductor, or how sometimes they would walk for the carnival. Before the project: Almas 33, his only experience in the field of cinema was to build a one-minute film in the student’s period. “I knew everything about filmmaking,” he said. I had read the book and the film saw all modest of directing and the different methods and styles of development and I knew these things. I was a serious film love, who was sixteen years old at the cinemas and was making a film. Of course, I spent two times with my majesty to Hollywood studios. The greatness of the film had been played in one of the Hitchcock television films, and the account was also scored.
What originally led to the success of a film in the cinema was his self-confidence that in the first movie, despite the professional actors of the cinema and did not lose the words: when you come as a young twenty-one year and your bankroll and life. In the United States. Professional and experienced people in Hearts cinema wants to know what you are doing. My system was the first to work for them in a detailed speech and express in the exact form and in detail, and then in the act of Mise-En-Scene giving or guiding the them of the game, I showed that my job and these accounts were their work, because they all waited. To catch the wrists. Social psychology is also everywhere in the world. My confidence came from my knowledge. I had asked my mother to see the works of Saedi, and Saedi later defined that one day a woman came up in our house that spoke in Turkish (my mother talked to the Turkish language of Caucasian) briefly told my son. And you will want to do things. He also sent me a complete package of plays and stories, and he began his correspondence and communications. A summary of this magazine I met with Saedi and when I came to Iran, we saw each other, and a good friend and sincerity were created between us.
Some of the films, including the Cow and The Circle of Mina, were banned before the revolution: My filmmaking report was always a interdiction product that has been formed from different government areas to my business. For example, he built Mr. Hollow and was a bull. We’ve got a wrong thing, and now we’ll have to talk to them in the next film, which will not be a match to men. If the “cow” was allowed, I certainly wouldn’t make Mr. Hollow and went to work.
There is often a food motif in the film, or eating a food. From Mom Guest videos get to chalets yellow cooking in Layla’s movie, or even culinary in Sarah’s movie. Eating is a daily ritual. For sharing the blessings that are on the table, is a sort of a special place among people, and participation in this team experience leads to some kind of contact and special communication between people. The rent was the first comedy of Dariush Mehrjui A film that was going to play a Nasirian of time: “Nasirian rejected the script. Dariush said, it’s a witty amount and it doesn’t give you past things. This is kind of. The premise was that these two people, Nasirian and Entezami, always had a compact competition together, and the roles that I them in previous films were less and more weight. In the leases, I suggested the role of the lawyer to Nasirian that the next of Iraj Rad was playing it. Nasirian had seen the role of the Entezami was much stronger and more index and did not accept. However, the actors of those generations had the same competition. “
Hamoun is probably the most popular film. The turn of lasting films and the persistent characters of the Iranian cinema, the Hamoun is always one of them. Khosrow Shakibaei was enduring with a film for eternity in the cinema of Iran and all the roles that he played later were all compared with the Hamoun and ranked lower. “Khosro, God forgive, had the characteristics that I have seen less in other people. He loved his work and gave the role of the heart. He had a strong and rich sensitivity that would make him an ideal actor. It was just enough to give him an idea of debt and he had seen a few different Varian, one better front. A professional-grade man. Most importantly, he was not jealous as an actor.
According to the results of a survey in 2004, Master Dariush Mehrjui, with seven characters, has created the most lasting cinematic character in Iranian cinema. Moreover, the character of Hamoun was named as the most popular character in the history of the Iranian film. In another poll, in 2002, after Bahram Beyzai, the top director of all the history of Iranian cinema was known. However, since the beginning of the film-making activity, a number of films have been banned, but they continue to make different films. He has received numerous international awards, which can be awarded to the Golden Oyster Award for Best Film Festival of San Sebastián, three special mentions and awards of the New Look and award of the Berlin Film Festival, award-winning International Venice Film Festival and Hugo Silver Award in International Festival He pointed out Chicago. He also had many cinematic festival referee. In addition to cinema, a novel writing and translation also deals. Dariush Mehrjui is one of the most important and greatest directors of Iran’s cinema and writer.
Secret of Movie Mina Circle
After making the circle of Mina, Mohammad Reza Pahlavi, ordered the filmmaker to be found and tried if he lied.. At the Health Film Festival, he told me, “One of my friends, Dr. Kiomars Fard, called me in Shiraz and invited me to see the centers of blood transfusion. These centers were blood addicts, and they had a fjeee situation. The proposal made me go to shiraz and see one of the two centers and I’m impressed. He added, “The goal was to create a documentary, but it was so complicated that the documentary was not enough for it. At that time, I entered the conversation with the head of the lion and the Red sun. He told me that addicts would have places to go there early mornings and sold blood. These dreaded locations were later used in my movie. Based on these cases we started thinking about making a fictional film. At that time, Gholam Hossein Saedi told me to write a story about the hospital and it can be fit in my film. “The story has led to no blood and blood.” However the screenplay was written to the Ministry of Culture and Art that time went. They initially opposed and did not allow the film to be made. I was allowed to make films from certain centers by Bahman Farmanara and other friends. Of course the film was made three years of bans. The bans had actually started out since the script was rendered. Dr. Aala, the founder of the Iranian blood transfusion organization, was the only one who defended me in meetings and emphasized the necessity of making such a film. The director of the ‘ Circle of Mina continued ‘ that the script was approved for about 8 months, but after the construction was confiscated. Dr. Aala was negotiated at this time with the head of the medical system, Dr. Eghbal, and even I went to Dr. Iqbal’s office and held a meeting with him only. Dr. Eghbal was a calming pill and told me this is what a film that made. It’s like you’re a classy and luxurious hotel, and instead of being a hotel and luxurious show, it’s a beat to the kitchen and only shows dirt. Why did you do that? I said: I wanted to be aware of the shortage of blood in Iran and encourage people to donate blood.
“When people were afraid of blood donation, they were not informed of their health benefits,” he continued. Dr. Eghbal said: You must show that a person has fallen and he is bad. Then they inject the blood glass, and he becomes a good feeling. I said the film and the scenario did not last a minute or two and did not take any pain. Dr. Eqbal finally did not agree. One day privately saw the Shah with his wife in the palace, saying: ‘ Should he be told, “if the story is said, and if it is right, then what is the situation? In this way, after three years of being banned, Mr. Ghotbi, the head of the TV-time, was aired on the film and welcomed by the people. In fact fetish show broke footage. He said Dr. Davoud Zadeh’s personality in the film was derived from Dr. Ala. Bahman Forsi also played the role and, of course, had a lot of conscience in his role. The character of the Samaritan Doctor was also derived from Dr Gilani’s personality, of course, I did not know him much. It is interesting that the pockets of our procurement manager, Ali Naghi Kani, was full of opium, and when addicts walked the noise scene, they gave them opium to calm down and set out to shoot. The director continued: The film of the circle of Mina indirectly caused the organization of blood transfusion to be established and this is very important. I was also doing this on the movies. In this film, I made self-immolation the girls and women. We had problems to make this film, and of course, my next project also emphasizes the issue of health. I am not a fan of art for art and I want to play a constructive role in society that is both attractive to the audience and informing him. The film was alive as well. That reduced the amount of self-immolation to 5 to 6 times per month.
Wishing
If I go back to what I wish, it’s freedom. My wish is that when I work, I do not have to censor myself in the ward and think of the judgment of others, but I want to sit at the composure perfection and see what is going on inside. The most tragic accident of my life was the film “Santouri” so we could shake, the CD smuggled the film came out and the business facilities of the film were lost at Fajr Festival, the best film was known by the people. But just the night of Eid, after the overall investment, the film was banned. I even contacted me from the Ministry of Intelligence and said we had no problem with the film and never found out why the film was taken.
Cinema
1967 – Diamond 33
1969 – Cow / Producer
1970 – Mr. Hollow
1972 – Postman
1978 – Mina Circle
1980 – The School You Went
1986 – Lease / Editor
1987 – Shinrack / Producer
1989 – Hamoun / Producer
1991 – Lady
1992 – Sara / Producer
1994 – Pari / Producer
1996 – Leila / Producer
1997 – Pear Tree / Producer
1998 – The Tales of the Island (episode I, The Lost Uncle)
1999 – Mix / Producer / Costume Designer
2001 – Bemani / Producer / Editor / Costume designer
2003 – Mother’s Guest / Producer
2006 – Sanori (first name: Happy Birthday)
2006 – Carpet and Angel (short film) of Iranian carpet episodes
2008 – Tehran: Dating Days (episode 1, Tehran Tehran)
2009 – The Popular Skies
2011 – Orange Rag
2012 – What’s a Good Thing To Return
2013 – The Ghosts
Screenplay
1967 – Diamond 33
1968 – Cow – Azadaran-e Bayal story collection, written: by Gholam Hossein Saedi
1969 – Mr. Hollow – Display a letter to the same name from Ali Nasirian
1970 – Postman – According to the letter of by: Georg Buvor
1973 – Mina’s Circle – The junk story, from Gholam Hossein Saedi
1975 – Alamut
1976 – Qanat – Third immaculate story, from Houshang Golshiri
1980 – A School That We Went – Fereidoun friendly
1981 – The Fyodor of The Same Name: the Conquest of Romania
1983 – Journey to the Land of Arthur Rambo
1986 – Leases
1987 – Shirak – Kambozia Partovi
1989 – Hamoun – inspired by the Blind Owl’s novel by: Sadegh Hedayat
1990 – lady – Viridiana, effects: Luis Buñuel
1991 – Detective Yahya
1992 – Sarah – Doll house, by: Henrik Ibsen
1994 – Pari – Farani and Zakey, by: Jerome David Salinger
1996 – Leila – based on a story by: Mahnaz Ansarian
1997 – Pear Tree – A story of the same name: Goli Taraghi
1999 – Mix
1999 – Molos Corpus – Fiction: Gholam Hossein Saedi
2001 – Bemani – Vahideh Mohammadi Far
2003 – Mom’s Guest – based on a story by the same name, Houshang Moradi Kermani
2007 – Santori – A free to do it a novel of the ideas of a clown by: Heinrich Bell
2009 – The popular sky – Vahideh Mohamadifar
2010 – All Dana – Vahideh Mohammadifar
2011 – Orange – Rag-Vahideh Mohamadifar
2012 – What Is The Return of A Story by: Nikolai Gogol
2013 – The Ghosts – Adaptation of the ghosts, the effect of “Henrik Ibsen”
2017 – Santori II
Documentary and Short Film
1976 – Sacrifice – short documentary – For Iranian blood transfusion organization
1976 – Alamut – Feature documentary film in Islam, Shia, and Ishmaelites for Iranian national television, which has not yet been displayed
1977 – Spend – Short documentary film, 10 min-For blood transfusion Center
1977 – Forgiveness – short documentary – For blood Transfusion center
1978 – Kidney Transplant – Short documentary film – For the Ministry of Health
1983 – A trip to Rambo Land – Fiction documentary film – For French television. By the life of Arthur Rambo
Awards
2006 – The award for a life of influential cultural activities, Yalda Award, and the efforts of caravan publications and book celebrations
2007 – The Hand Print award-Busan International Film Festival
2008 – Appreciation for a lifetime of artistic activity-apricots Golden International Film Festival
2014 – Get a badge Legion of Honour-grade knight-from French ambassador
Cow
1970 – Winner of the Best Film award – 2nd Sepas Film Festival
1970 – Winner of the second Best Film award-Tehran International Film Festival
1971- 1st Prize – Winner of Venice International Film Festival, Italy
1971 – A golden candidate Hugo – International Chicago Film Festival, USA
1972 – Winner of the New Look section – Berlin film Festival, Germany
1974 – Best Film Award – Larshell International Film Festival, France
Best film of Iranian cinema – Iranian cinematic critics voting – 1972 – 1988 – 1999
Mr. Hollow
1971 – Award winning Best directing – best films and first prize as best film-Sepas film Festival
1971 – Golden Prize nominated – Moscow International Film Festival, Russia
Postman
1972 – Winner of the New Look section-Berlin film Festival – Germany
1972 – The seventh film of the world-ten films selected by English critics – Salme Film Bulletin
1973 – A golden candidate Hugo-International Chicago Film Festival – USA
1975 – Winner of the Special Jury of international division-Rotterdam International Film Festival – Netherlands
Circle Mina
1977 – Winner of the Grand Prix double antenna-Paris film festival – France
1978 – Award winning International Catholic SAR – Berlin film Festival – Germany
1978 – Winner of New cinema Prize – Berlin film Festival – Germany
1978 – A golden candidate Hugo-International Chicago Film Festival – USA
1980 – Winner of the Best Film award – Prthead film Festival – France
A school that we went
1984 – Winner of Special jury award and display in the off-competition sectionThree continents Festival – France
Hamoon
1990 – Winner of Crystal Simorgh Best director and best films-Fajr film Festival
1991 – Award winning bronze Best Film Festival – The 24th Histone – USA
1991 – The Grand Prix candidate – Tokyo International Film Festival – Japan
Selected as the best film of the history of Iranian cinema-numbers 100 and 200, by readers
Lady
1999 – Award winning special mentions and Don Quixote awards – Berlin film Festival – Germany
1999 – Golden Pheasant candidate – Kerala film Festival – India
1999 – Nominated for Best International Film section – Mar del Plata International Film Festival – Argentina
Sarah
1993 – Winner of the Golden Oyster Award for Best Film – The 43th San Sebastián International Film Festival – Spain
1993 – Winner of Crystal Simorgh best Films -Fajr film Festival
1993 – Award winning silver balloons Best Film – Three continents festival – France
1993 – Award winning Best Film from the audience’s perspective – Three continents Festival – France
1993 – Golden Balloon Award for Best Film – Three continents festival – France
1994 – Winner of the second best choice Award, Ren Film Festival – France
1994 – Winner of the prize – 18th Sao Paulo International Film Festival – Brazil
1995 – Winner of the most Art film award, 12th International Film Festival Zimbabwe
Pari
1995 – Winner of Crystal Simorgh Best Director – Fajr film Festival
Leila
1995 – Award winning Best Director -first grand ceremony of Iranian cinema
1995 – Winner of the Best Film award – 1st Grand ceremony of Iranian cinema
Pear Tree
1997 – winner of the Best Film award – Zanzibar International Film Festival, Tanzania
1997 – Best Film Festival – 2nd Grand Ceremony of Iranian film
1997 – Best Film award – 16th Fajr Film Festival
1998 – Winner of Hugo Silver – 33rd Chicago International Film Festival – USA
Bemani
2003 – Special Prize winner – Brussels film Festival – Belgium
Mom’s Guest
2004 – Winner of the Best Film award – 22nd Fajr Film Festival
2004 – Winner The best film from the critics ‘ perspective – twenty-fifth Fajr Film Festival
2005 – Best Film Award and Best Director – 8th Grand ceremony of Iranian Cinema
2005 – Best Film Award, 13th Fukuoka International Film Festival, Japan
Santouri
2007 – Winner of the Best Film award for the audience – 25th Fajr Film Festival
Orange Suit
2012 – Winner of Special Jury Award, 30th Fajr Film Festival
Translation
– Dimension of aesthetic and reality aesthetic-effect: Herbert Marjar
– The holographic world of Impact: Michael Talbot-Publishing Hermes
– Yong, Gods and Modern man-effect: Antonio Moreno
– Real West plays and buried child-effect: Sam Shepard
– Avazeh and the course-effects: Eugene UNESCO
Novel
2009 – For the sake of a damn long film – Publishing Gatre
2010 Villain Intellectuals And the Great Proud, Translated by: Jamshid Shirazi -Hermes Publication
2012 – A Drop in Moghan-Nasmi
2016 – It’s A Damn receipt-publishing to Negar
2016 – Traveling To The Land of Angels-publishing to Negar
2016 – Paris logbook, Ode Club-Publishing Negar
Other
1966 – 1965 – Editor – in – chief of magazine Rio-published in Los Angeles
1965 – Blind Owl – A treatise on honest novel in English
1967 – The article is proud of the great and the Illuminati villain Dabsteski
