● Birthplace: Tabriz
Biography
He was interested in painting since childhood and still paintings. He began photography, with his father, from 18 years old. Studying and familiarity with the world-renowned photographers, his tendency and willingness to photography a portrait that after acquiring experience in Iran, the way the American and German countries patrol and work in the field of personalism in portrait photography, research and start. His father was a poet and photographer and his brother Farhad, the greatest of contemporary musicians. Master Fakhreddini for 30 years at the San Francisco Academy and the duration of 1.5 years with one of the great photography experts in the world called the Sharkowski, and the outstanding techniques of photography were learned. Sharkowski was one of the good scholars of photography in the city of Köln, Germany, and very good and high-definition masters. After returning to Iran, Master Fakhreddini was engaged in photography from the enduring scientific, cultural and artistic figures and in dozens of foreign and domestic exhibitions, and with the release of the portrait Photo book collection, the pinnacle of photographic art in every single portrait was exhibited. In his expression, most prominent Iranian names are sitting on his studio chair and have been staring at the lens of the clairvoyant. In portrait photography, he wants to show the character of people as there are not faces of abnormal gestures. To the promise of master: My aim is to show the characters of mankind with simple tone and what they are in their own form. I have tried to take the simplicity of the work. He believes that a good photographer must print his images to determine the worked flaw. He told his students at the art school to try to photography the work of your own, and give you a personality, when a photographer, to print it somewhere else, gives her photographs a two personality. This means that a printer with photographer can never be coordinated, but when the photographer of his own work, it can correct the worked of work and imperfections and eliminate the worked defects in order. The master who has been painting these days again had a brush, but he hasn’t been aware of this issue. He has come to his long-standing interest in showcasing realistic paintings of nature of Iran. Paintings that according to himself are a compilation of his photographs of nature and more beautiful plus them in the form of a painting panel.
No. 503, near Palestine Square and Taleghani St., is a familiar address for many of our country’s name. The tones of this building have pressed many people and looked at the frame of its owner forever. Some have been past half a century before this alley and now memories are on the wall and the mind of this address. Hossein Behzad painter, Shahriar poet, Ali Tajvidi musician, Mojtaba Minavi, Saeid Nafisi, Heshmat Sanjari, Ahmad Ebadi, Ahmad Shamloo, Nosrat Karimi, Bastani Parizi, Iraj Afshar, Fereidoun Moshiri and Aram Khachaturian, Houshang Ebtehaj (Sayeh), Ezzatollah Entezami, Mohammad Ali Keshavarz, Morteza Momayez, Bahram Beyzai, Aydin Aghdashloo, Abbas Kiarostami, Mahmood Dolatabadi, Loris Tjeknavorian, Mohammad Reza Shajarian, Nasser Taghvai, and… All and all part of the 60-year-old memoir are the old building. Master Fakhreddin Fakhreddini says: “There are no other people from the name of the Iranian culture, art and literature that I have not shot. The musicians who have not seen some of these celebrities, including Hossein Behzad, are seeing his real portraits and can make a better understanding of the personality and the inner characteristics of this artist. I’m going to warp but I’m stuck in the field of music at a paused point, when I don’t have to pay for music and I am more interested in photography and I’m going to paint along with that.
Master speaks Azeri dialect, gentle and kind and one of them remembers memoirs from these renowned characters in the culture and art of Iran, the memories that although they have repeatedly repeated them but still remind them they are sweet and time for others. From the breaking of the violin of Ali Tajvidi and Aram Khachaturian from the photography method of Yousuf Karsh, the prominent Canadian photographer says that the simplistic had told him: “I have taken my picture to look at it from every angle,” the eyes of the photo will also look at me! The address of the atelier and photographer will not remember the ideas of culture, literature and art of this land, where they are sometimes spoken for their portraits of hours, memories have been said and heard, the instrument has been read, poetry and have spent days until a good portrait of them The camera frame of Mr. Photographer is registered and sits on the heart.
Master Fakhreddini in his solitude in the corner of his upper atelier, it has created a mystical and low-season. The light that enters from the southern side of the building and the electrical Samouri in another corner always has a Master’s reception from photographers, guests, and visitors. All the environments in this room have a picture and a role and pattern filled. Painting Master late Consistory from the Master’s face, up to the Master’s design of his father late in the years after the first stroke and the culmination of suffering disease in the fifties can clearly get the role of the master pen on paper. One of the photos mounted on the wall, the face of Yousuf (Yousuf Karsh), is an Armenian-Canadian photographer who follows the photograph in the signature of the photographer, written: Dear Fakhreddin! With appreciation of you and the best wishes for you…
From Yousuf Karsh that speaks to him, we ask: Yousuf Karsh believed inside every man and woman, and I am a duty photographer to reveal this at the moment I will take pictures, are you also believing in this principle? At the same time, master opened a his desk drawer, which is more Alasarar Fakhreddini to the tank, and shows a letter to his signature on April 13, 1976, and says: “Yousuf Karsh”, despite being the multitude of the elders and celebrities of the universe Politics and science such as: Winston Churchill, Mother Teresa, Albert Einstein, Fidel Castro, Elizabeth II, Elizabeth Taylor, John F. Kennedy, Dwight D. Eisenhower, George Bernard Shaw, Ernest Hemingon, Mohammad Ali Kelly, and… He also believed in a photograph that he took out Winston Churchill. In portrait photography, the person is not a simple task, but the photographer of his portraits is nothing but a try and addressing this.
Shows the mail Yousuf Karsh and returns to the box. A letter where Karsh to Fakhreddin wrote: Dear Fakhreddin! In senses from Europe I met with thoughtful and beloved gifts I was sent to you, which was a box of pistachio that was beautifully packaged and sent. They are among the best that I have enjoyed tasting. Thank you for your generosity and Kurdish generous. I am very sorry to say that I cannot be greatly appreciated.
Best of good wishes to you sincerely: Yousuf Karsh. We ask our question this time: What photographers do you know about your artistic look in photography? And immediately says the names of three photographers: Philip Halsaman, Yousuf Karsh and…
Activities
– Inauguration of Fakhreddin Gallery-featured of artists-Tehran, Khaled Eslamboli, Vozara, 12th Alley-No. 8-1st Floor
– Photo book printing Fakhreddin Fakhreddini (portrait) and simultaneous presentation of the exhibition-with ISBN: 964-06-5032-3, Circulation 3000 Vol – 2004 summer – Publisher: Fakhreddin Fakhreddini
Domestic Exhibitions
1997 – View 15 pieces portrait Photo-Tehran, Bahman culture
2000 – Showing 50 pieces of image collection: portraits, nature and flowers-Tehran, Museum of beautiful Art Sadabad
2002 – 50 Photo footage from portrait series-Tabriz, the exhibition of Great Works in the Ministry of Culture and Islamic guidance
2004 – 80 Portrait piece in Niavaran culture center Tehran
2004 – Exhibition (Portrait, Nature, Takht-e-Jamshid)-Tehran, Niavaran Art Foundation
2006 – Showing 10 pieces of portrait photo in size 80 * 70 cm-Tehran, Museum of Contemporary Art
– Prints of 12 photo pieces of portraits collection in the annual calendar of Ilford Company
International Exhibitions:
1961 – Holding an exhibition with 30 pieces of portrait works in the US, the state of Los Angeles
