● Birthplace: Bushehr
● Died: 17 January 2013 in Tehran
Biography
His mother was a fan of authentic Iranian music and had a keen interest in the Homayoun system from Iranian music officials. That is why he chose the name of Homayon for his son. He went to Saba Master’s School at the age of seven to eight, and traveled overnight at the age of eight, due to his remarkable talent at the age of seven, and as a six-year-old musician, he performed solo on the radio. He later provided valuable works in many radio music programs, especially in the Flower program, as a composer, soloist, violinist and orchestra leader. Along with his passionate, but also passionate, work in Iranian music, Homayoun was not ignorant of science and was highly regarded at most stages of his studies and pursued his university studies at the Iran University of Science and Technology. The third volume of the book by Iranian musician Pejman Akbarzadeh states: After the Islamic Revolution in Iran, the activities of Homayoun Khorram were interrupted for many years. Since then, he has devoted most of his time to teaching violin and research work on Iranian music. He has mastered the musicianship and improvisation, producing unique and unique compositions while mastering the theoretical and theoretical subtleties of Iranian music. This view is a valuable researcher and a distinguished scholar. Heavy instrumentation was a strong, heavy and devoid of any kind of glamor. Although not sweet compared to Parviz Yaghhi and Habibollah Badiei in the sweetness of Khorram, his ability to create vibrant, catchy melodies instantly makes his solos textures far better and more fluid than others. For this reason, Khorram and Ali Tajvidi can be grouped together because they have the ability to compose the two, just the opposite of what is said about Badieh and Yaghhi. Not to mention, just as Tajvidi was not empirically composed and exclusively humorous. He had learned and mastered the scientific foundations of composing. For example, he learned the harmony with Fereidon Farzaneh and in a way: Sarley was influenced by Korsakov’s composition. Khoram’s good taste and innovations in setting up his work are audible. The method of dividing melodies and accompaniment of the instruments with Khorram is very calculated and the work is without harm.
Much of Khorram’s work has the musical memory of at least three generations of Iranians. It’s hard to find an Iranian who can’t sing: Whispering in My Head Tonight. It should be emphasized, however, that Khoram’s credibility was never and cannot be summarized in his well-liked songs. His orchestral works, often composed of complex and complex vocabulary with very varied melodies, provide symphony-like examples of Iranian music that have less to do with equality. Khoram has worked closely with the most talented and professional singers of Iran’s two decades of golden age. It should be remembered, however, that Parvin Zahraie was a solo singer for many years. The weight of Parvin’s voice was heavy, and the instrument was heavy. Although some of Khoram’s work has been re-read by other readers, it is difficult to say that the brilliance and elegance of the readings reaches past performances. Over the course of more than three decades of teaching, many young people have come to Khoram Bahrand today who are trustees of their master’s school. But in an interview with Bukhara magazine, Khorram mentioned Mani Farzai, Pejman Pourzand, Babak Shahraki, as his most influential student.
Some of his songs are like: Where are you Peri (fairy), tonight I’m in the head (Sounds of the Storm) tonight, Sagarm break me a leggie (my tenth), scandal in my time, are you all innocent, my tears are gone, courier Sahri, after you can be in the bed of sadness, look at the leggings, my distressed heart, the tired voice of the heart, and dozens of other songs;
Positions and Responsibilities
– Composer in Iranian music programs and Golha program
– Master of the Faculty of National Music
– Has a 1st degree in art equivalent to a doctoral degree from the Iranian Artists Evaluation Council
– Leading the orchestra of national instruments
– Membership in the High Council of Radio Music
Songwriting
– Star Melee – With Parvin’s voice
– Sahar Courier – With the voice of Parvin
– Resolute – With the voice of Hussein Qavami
– I broke my heart – With the voice of Hussein Qavami
– Gone – With the lyrics of Rahim Mo’ini Kermanshahi and the voice of Goddess
– The scandal of time – With the voice of Goddess
– Yarm knotted my hair – With the voice of Goddess
– Togate ten – Mo’ini Kermanshahi – Choreographer and musician: Homayoun Khoram
– My tears disappeared
– My moon
– Among the flowers
– Go through me – Are you all innocent?
– In the Bed of Sadness – With the Poetry of Tuareg the Guardian
– Look at the leggings
– God forbid I fall in love
– Loneliness
– Until when
– Prince of Dreams
– Sweet legend
– Fire – with Simin Ghanem’s voice
– Storyteller – With the smart voice of Hoshmand Aghili
– I was the only one left to compose the album – with the voice of Mohammad Esfahani in year 2000
– Composition of the album Scandalous Zamaneh – with the voice of Alireza Ghorbani in year 2009
– Song of the smell of rain – From the album Nun and Clown with Mohammad Esfahani voice
Books
– 2010 – Star Trek – Artist Memoirs of Homayoun Khorram – Everlasting Publications – This book was first written orally by Ali Vakili, a student of Khorram, and then written and edited.
– First row left Cook (Navi Mehr); Includes Singing, Chaharmezrab – By Babak Shahraki
– Row Cook’s Second Row – Includes a number of scrolls, charts and colors that are currently being prepared and printed.
– Fourth position – Rows and Quarters of Engineer Homayoun Khorram in Mahour, Chahargah, Homayoun and Isfahan. Written by Dr. Mohsen Kazemian from Khorram Students. (New topics have been introduced by the author in the field of Persian violin, including left-handed axes, double notes of Iranian music, and metronome set for rows).
Lectures
– Iranian Music – in European and American art and cultural centers such as UCLA
– Master Saba and Iranian Music – Gilan University, Shiraz University of Medicine
– Master Abolhassan Saba – Fars Music Association
– Iranian Music Officials – Allameh Tabatabai University
– Master Ali Naghi Vaziri – Arasbaran Cultural Center
– Specifications of Iranian Music – Isfahan University of Technology
– Numerous other lectures in Rudaki Hall of Tehran on different occasions
