● Birthplace: Bam
● Died: 26 December 2003 in Bam in Kerman Earthquake
Biography
He was born from an artist’s family. He was fond of five years singing. Every member of the family, from his paternal grandfather to his grandfather and father, had experience in singing and playing various instruments, and Iraj also got acquainted with the principles of music with them, and then learned musical instruments from his father. As a teenager, he was taught by his uncle, Yadollah Bastami, under whose leadership a group was formed with the cooperation of the Bastami brothers, who performed on radio and television at the time and in the Ramsar camps. After the death of Yadollah Bastami, Iraj was present to learn singing and vocal radif with Ostad Shajarian and, despite the difficulties of road and high distances, a week at a time to love singing from Bam to Tehran came. Bastami, in the event of the Islamic Revolution, he rented a room in the Pamenar of Tehran to be able to benefit from Ostad Shajarian’s teachings. After learning the song with Mohammad Reza Shajarian, he went to Parviz Meshkatian, composer and Nami Santour player to learn the combination of poetry and music. Iraj Bastami, almost syncretic, did not find any man’s voice. Monsoon Flower Album, the result of his cooperation with Mohammad Reza Darvishi, and a reading of some of Ghamar ol-Muluk Vaziri, has exhibited the pinnacle of Bastami. He published his first album with Parviz Meshkatian. Mr. Parviz Meshkatian was first held in the Vahdat Hall, and then the albums of Afshari Compound (1990), (1991), in collaboration with and composing Meshkatian, delivered the public. This is the most memorable work of the Iranian music, which is the result of the collaboration of Dastan and Mohammad Ali Kiani Nezhad, which is a bastami singing. After this period of Bastami, he worked with a silent Keyvan (album Fesa) and Kourosh matin (silence) and Hossein Pirnia (a). The song of the Wild Glons, which after the death of Bastami in Bam, found a Bastami voice on the song of Pirnia.
Late Bastami after seven years, he abandoned the master Shajarian’s classes and released the basics of music with Parviz Meshkatian and low-low in his first album with Meshkatian. In the same period, the albums of Afshari-I-Bahar and my hometown were marketed at the same time. Afshari compound, the first effect of Iraj Bastami, was published in 1989. Mr. Shajarian and Parviz Meshkatian were bastami to the community and this professional activity of Iraj Bastami was officially launched. In fact, Parviz Meshkatian, Afshari Bastami and carried out at the height of his readiness. The program was supposed to run five nights at Rudaki Hall, but due to the widespread welcoming of the people, the implementation of those two nights was renewed. After that bar: Afshari Composite, came to the market. The voices of Bastami had been faced with people. Aref Ensemble, Parviz Meshkatian and Bastami, went to Europe to perform concerts. At that time, Bastami was about 33 years and the performances of these concerts were surprisingly for his next success.
Another work of Iraj Bastami is the smell of Nowruz, which is the result of his cooperation with Dastan Ensemble and song making Hamid Motebassem and the work of Iranian music. Iraj Bastami, with the collaboration of a Silent Keyvan, the album of Fesan and Bi-Kuam, was created by Cyrus Matin, silence, and with Hussein Parenia, the sound albums of the House of Flowers, the turbulent dance and the turbulent, and the album of the Bastami Concert and Homayoun ensemble (Flowers of Pune 1). The already agitated album consists of two parts. The first part is related to Iraj Bastami and Homayoun Ensemble in the summer of 1999 in the citadel of Bam and the second part of Reza Rezaee Payvar, after Bastami died. The Ballad of the Oregano, which Bastami published in the turbulent Dance album, was released after the death of Bastami other versions of the turbulent albums and the concert of the Bastami and Homayoun ensemble (Flowers 1), after his death, he was found in Iran. The Ballad of the Pennyroyal, the most famous work with the sound of Iraj Bastami.
About flower poneh’s concert 1 This explanation can be found that this work is the most effective visual effect published by Iraj Bastami and is related to the concert of Iraj Bastami and Homayoun Ensemble in Karaj (run in winter 1999) which is a concert of oregano. It consists of two parts and the concert of Oregano 1 (on the device of Homayoun) is the first part that has been corrected and marketed by the publication of Bistoon singing. The second part of this concert, which should be called the Golpooneha 2 concert, is in Shoor and has not been officially released yet.
It is said that the flowers of Pune concert are not the most effective visual effect of Iraj Bastami. Iraj Bastami and Dastan ensemble There is also a visual effect of Iraj Bastami, but with the difference that this effect is not officially released in the form of Oregano 1 concert and with only one camera from the face. Bastami and Dastan Ensemble in the winter of 1992 was implemented. The monsoon album was also the result of his cooperation with Mohammad Reza Darvishi and in which he was recalled some of the songs read by Ghamar ol-Muluk Vaziri. This album, along with the BI caravan, is the most bastami of Iraj, which most of the western instruments have used. In this collection Parviz Meshkatian was employed to supervise the implementation and play of Setar.
Iraj Bastami, at the age of 40, reached the peak of his activity, and during the 14-year activity of 11 music albums. The songs of Iraj were mostly based on Santour, and in the long steps, no one has been found to be his skill, also the songs of Dashti and his own, in Kerman and Iran, have many reputations. Due to his livelihood problems, since the final years, decade 1990, was no longer a serious job. However, Parviz Meshkatian notes that he has made one of the most popular albums of music in the market, a album that my homeland has called, and has been built on a poem from the Tomb of the spring, which begins: O Iran mahin-my homeland. This is a song from Parviz Meshkatian, a national anthem by UNESCO.
It was not said that most of the works of Iraj Bastami (e.g. Bi kavan -e Koli, Fall, Wish, improvisation, and improvisation) were published after his death. He gained more famed after his death and the cause of this is what is mentioned in his personality characteristics section, his humility. The Bastami will not allow the video to be printed on his or her albums. Some of the works of Bastami who have been released after his death are related to private performances and recordings outside his studio (such as Fall and dreams), and according to the cover of the album of Fall and Wish, it should not be expected that they are of standard quality. However, these works have been refined and corrected before publication.
Iraj Bastami, at the height of her brother’s death, is confronted with the demise of his brothers Nosratollah Bastami and hence returned to BAM for his brother’s family. He had a great interest in his lost brother. When he went to Tehran to study singing, the brother had made his life expenses and this time I was the turn of Iraj to give his brother’s survivors a tribute. Bastami never married, and despite the fact that it was in severe poverty, the family of the brother Kordi Nosratollah Bastami. Bastami was very humble and perhaps this humility was one of the less known causes before the blackout. He did not allow his or her photography to be inserted on his/her bar or written an article about it. He was far from the controversy and commotion of art in Bam and Kerman province, taught singing for young children deprived of Bam and Kordi Brother’s family.
In the late life, he had brought refuge in his hometown and lived in the father’s home, eventually at dawn on December 26, 2003, and in the wake of Bam’s earthquake, he stayed under the rubble and farewell to the mortal world. During the quake, Iraj Bastami with all the members of his brother’s family, except for memory, Iraj died’s daughter. After the death of Bastami, some of the past works and his concerts with the residents of Venice Bi-von (a silent Keyvan), a public release, which was the tomb of the three tar Behdad Babaei, including this work. After the earthquake of Bam, Fatemeh Bastami, the sister of Iraj and Mohammad Ali Bastami, the brother of Iraj, established the Art and Cultural foundation of Iraj Bastami, and from the activities of this foundation, he pointed to the efforts to introduce people to society, holding the funeral of Master Parviz Meshkatian and Iraj Bastami.
Mohammad Ali Bastami (the brother of Iraj Bastami) in a report from the press conference the first vocal award of Iraj Bastami about the introduction of the young musicians to the society, stating that Shajarian and his society, said: “To our certainty at all stages of work, the introduction of musicians to the society and… We owe these two great masters. Of course, another activity of this foundation is the appreciation of artists at the time of their own, which can be announced by Parviz Meshkatian’s commemoration ceremony. A book entitled: There is a rational silence in which the collection of writings about Iraj Bastami and all works are gathered by him and published by Athena Publishing to the book market. Massoud Zargar has compiled this book from articles and writings by Ali Shirazi.
Parviz Meshkatian has said about his acquaintance with Iraj Bastami: The first time I saw Iraj Bastami at the house of Mohammadreza Shajarian. At that time we had caduceus. Because of the social conditions the time we needed more vocals with different voices. I was sitting back in Ostad Shajarian’s singing class to backups my art. It was because I liked the sound of Bastami. He had a good voice and like all the people of the desert, he was very kind and good, I talked to him after a while, so that I would be familiar with the point of nzeratsh about art, singing and motivation, but it was very simple to have determined that with him one year about cases The peripheral of music sit into the chat and conversation. My only man in life is that my homeland song was announced by the UNESCO organization of the national anthem.
Mohammadreza Shajarian: Bastami! God has given you to you, and I want to shape this gem. He was 6 years of my apprentice. I worked with me until the middle of the great course. I predicted a good future. It was a flower that was filled very soon.
Works
Albums
Release Year/Album Name/Song Maker/Musicians/Singer Group/Publisher/Description
1989 – Afshari Composed – Parviz Meshkatian/Aref-Iraj Bastami-four garden bang/first effect with Iraj Bastami, a concert related to Aref Ensemble and Parviz Meshkatian’s song in Roudaki Hall, poems by Saadi Shirazi, Hafez Shirazi and Babataher
1990 – Ofogh e-Mehr – Parviz Meshkatian/Aref Group-Iraj Bastami-soroush/International Congress of the Grand-Khamani Kermani, the drunk ballad of the most famous works of Bastami, which resulted from the song of Meshkatian on the poetry of Khael-Kermani, has been published in the series.
1992 – Mozhdeh Bahar – Parviz Meshkatian/Aref Ensemble-Iraj Bastami-four-bang garden/Bastami concert with Aref Ensemble in Europe and participation in the World music Festival of Earth Spirit
1992 – Iraj Bastami and Dastan group concert – Hamid Motebassem, Mohammad Ali Kiani Nezhad, Kayhan Kalhor, Ali Akbar Shahnazi, Ali Akbar Sheyda-Dastan ensemble Iraj Bastami/In three-time and Homayoun, concert in the Winter of 1992 (January-February 1992) in Azadi Cultural complex, Azadi Square, the fabricated by Kiani Ingen D. In this concert, after it was not published with a Bastami voice in any album, this work has been formally recorded by no published publisher and with only one camera.
1992 – A Norooz Smell – Hamid Motebassem, Ali Akbar Shahnazi, Ali Akbar Sheyda Dastan ensemble Iraj Bastami/Iran step in three-time and Homayoun devices, from the earliest works of Dastan ensemble, Scorpions of the Scorpion (the Ballad of Isfahan) and the first spring in concert by Iraj Bastami and Dastan Ensemble with Iraj Bastami Voice.
1993 – Home of Scent of Flowers – correction: In 2008 – Hossein Paravinia-Homayoun Iraj Bastami/Nouif-the album was first published by the name of the Tahrir al-Hush in 1993, and was corrected in 1999 and with a better quality and with the name: House of the Scent of flowers, published by Noif, the work in The devices of Shur and Homayoon have been implemented.
1997 – My Homeland – Parviz Meshkatian-Bastami Aref-I-i-I-song My hometown is announced on the album by UNESCO national anthem. In this album, he was executed at the poetry spring and Hafez Shirazi.
– Monsoon Gol – Mohammad Reza Darvishi, Aref Qazvini, Mousa Maroufi, Ali Akbar Sheyda orchestra Iraj Bastami mahoor Execution by Aref Qazvini, Mousa Maroufi and Ali Akbar Sheyda by orchestral Mohammad Reza Darvishi/in this album Parviz Meshkatian, supervising and playing Setar and Mohammad Reza Darvishi in addition to the press. T, adjustment of parts and tracks are responsible for the garment.
– Fasaneh – Keyvan Saket – Vaziri / Iraj Bastami group – noif on the right Machine v. A. h/lyrics of Nima Yooshij, Parviz Iranpour, Saadi, Hafez, Naser Khosro, Esmail Khoei and Dr Vahid Movahed
2002 – Disturbed Dance – Hossein Paravinia-Homayoun Group-Iraj Bastami singing Bistoon in Abata vocal, Shur, Chahar Machine and Homayoun/studio version of the most famous effect of Iraj Bastami, the Ballad of the Oregano-Song of Hossein Parnia on the poem was published in the album from Homa Mir Afshar.
2004 – Advent – Asghar Mohamadi-Eshragh-Iraj Bastami-A new song/release after Iraj Bastami, in the machine of Shur, vocals and four-time apparatus, according to what is written on the effect of this effect when Iraj Bastami in Zanjan has been recorded in the spring of 2003.
2004 – Fall and Dreams – Homayoun Khorram, Parviz Yahaghi, Jalil Shahnaz, Ahmad Ebadi Hossein Majadian, Mohammad Javad Khodaverdi and Mahmoud Farahmand Iraj Bastami-noif/release after Iraj Bastami, improvisation by Iraj Bastami along with tar and Setar of Hossein Majidi, the implementation of the songs from Homayoun Khar M and Parviz Yahaghi in Dashti and Bayat Esfahan, introduction based on movement Jalil Shahnaz, along with four of the created by Ahmad Ebadi
2004 – Right of Panjgah concert – Parviz Meshkatian-Aref Bastami-four-garden bang/release after Iraj Bastami, the result of Iraj Bastami concert with Aref Ensemble and Ostad Parviz Meshkatian in the right machine, the release in two CDs, before this The L was published by Ali Reza Eftekhari’s voice in the album called The official, and the fragments of the second tablet were also published on the Bastami-Mehr Horizon album.
2004 – Bi Caravan -e Koli – Bastami, Iraj Orchestra-noif/release after Iraj Bastami, in this album Vahid Movahed, E. A. Sayeh, Mehdi Akhavan-Sales has been implemented, head of orchestra: Keyvan soothed
2004 – Now disturbed – Hossein Parnia – Homayoun Iraj Bastami, Reza Rezaei Payvar singing Bistoon/publication after Iraj Bastami, it consists of two parts: the first part of Iraj Bastami and Homayoun group in summer 1999 in Arg-e-bam in which another version of the flower of oregano has been implemented And the second part is the sound of Reza Reza’i Payvar who died after Bastami.
2006 – 20 Years with works by Parviz Meshkatian – Number 2 and 3- Parviz Meshkatian-Aref Iraj Bastami, Mohammadreza Shajarian, Shahram Nazeri, and… Four garden Bang/release after Iraj Bastami, Parviz Meshkatian selected his own compositions with the voices of Iraj Bastami, once again in the albums of 20 years with the works of Parviz Meshkatian, and twenty years with the works of Parviz Meshkatian 3. The collection of 3 albums of 20 years with the works of Parviz Meshkatian includes songs made by Ostad Meshkatian, which has been implemented with different readers and used in each of these 3 albums of multi-reader performances. In addition to Iraj Bastami in this series, works of vocalists such as Ostad Mohammad Reza Shajarian and Shahram Nazeri were seen.
2007 – Improvisation and Improvisation – Rohollah Khaleghi, Akbar Mohseni Behdad Babaei, Mohammad Javad Khodaverdi and Kooshan Yaghmaei-Iraj Bastami-noif/after Iraj Bastami death, a selection of two private concerts of Iraj Bastami, with three of Behdad-Babayi’s Setar, have been recorded between 73 and 75 in the years. This work includes famous ballad such as China’s cluster and an alien-catching sweetheart.
– Iraj Bastami and Homayoun Ensemble concert 1 – Hossein Parnia Group Homayoun Iraj Bastami singing Bistoon after the death of Iraj Bastami, the album included the first part of one of Bastami concerts and Homayoun Ensemble in Karaj in the winter of 1999, as we know the version Recorded in the Ballad of the Canons Studio were released in the turbulent Dance album, and in a turbulent album and the album was published short versions of the live performances of the ballad, the second part of the concert, the flower of Oregano 2, is in a passion machine and because of lack of family satisfaction Iraj Bastami has not yet been published. This album is related to the implementation of the Bastami and Homayoun Group in Bam (Iraj Bastami) but is not present in the second part of the Bastami late. The second part of the album is Payvar with Rezai’s voice and is related to the cooperation of Peronia and Rezaei Payvar. In some places the album will be Bastami to the sound of the whole, but this is wrong. The name of the album of the ballad is Disturbed, with poems and songs of Hussein Peravinia with a voice of Rezai-Power that the ballad remembered Bastami have been implemented. On the cover of the album of Improvisation and Improvisation (the publisher’s Speech section), the album has been a selection of improvisation and improvisation of two private concerts of Iraj Bastami between 1994 and 1996. On the cover of this point, it is also mentioned that this work is related to the early art activities of Behdad Babaei.
Iraj Bastami and Homayoun Ensemble in Karaj, Iran’s winter 1999, which is called the Oregano Concert, consists of two parts: Part One, the concert of Oregano 1) in the device is Homayoun and published but the second part, the concert of Oregano 2, which is implemented in the Shur Due to the lack of consent of the Cultural foundation of the Bastami that has been created and managed by his family, it has not been published yet.
Concerts
– Concert with Aref Ensemble in Iran and Europe (Afshari compound), Composer: Parviz Meshkatian
– Concert with Aref Ensemble in Europe and the World Festival of Earth Spirit Music (Mojdeh Bahar), Composer: Parviz Meshkatian
– Panjgah – composer and Supervisor concert: Parviz Meshkatian
– Dastan Ensemble in Segah and Homayoun (Nowruz Smell), 1992 Composer And Supervisor Group: Hamid Motebassem
– Concert with Vaziri Ensemble in the Rast Panjgah of Abo Ata (Fesaneh), Composer And Supervisor Group: Keyvan soothed
– Bi Kaarevaan Koli – The last live concert in memory of Iraj Bastami with the Vaziri group in Shoor, Shoushtari and Avaz Dashti – Composer and group leader: Keyvan Saket..
– Gol Poneh vol: 1 concert with Homayoun Ensemble in Homayoun, Composer and Supervisor Group: Hossein Parnia
