● Birthplace: Someh Sara – Gilan
● Died: 30 April 2004 in Tehran
● Website: www.golagha.ir
Biography
He was born in Soomehsara, a city in the northern province of Gilan, during the presence of the Allied Army during World War II in Iran. His father, who was an employee of the Ministry of Finance and a native of Rasht, was transferred to the finance department of the monastery in 1317. In 1321, he was transferred to the Fooman Finance Department and died a few months later in the same city. His family was very poor. Saberi’s mother was the son of a Turkish cleric and respected by the people, but this respect, which Sadat mainly enjoyed, had a spiritual aspect and they continued to live in poverty. Saberi’s mother, who was one of the few literate women in the city, taught in the Quranic school, and was the only survivor of the family after her father’s death. So, Kiomars’s brother, then 15, dropped out of school to help with his family’s livelihood. He completed his elementary education in Fouman. His older brother, fourteen years older than him, could hardly afford to support the family. Therefore, it was difficult for Kiomars to continue his education. After finishing elementary school, he began teaching at a tailor shop, but in late October of that year, at the urging of her mother and friends, he began high school. Due to material poverty, he returned to the tailor shop after completing his first year of high school (9 years) and, as he put it, made some progress in the field. It goes without saying that during his elementary and high school years, he was a student at his brother’s bike repair shop.
At the age of 16 and in 1947, he passed the entrance exam of the Agricultural College of Sari, which accepted only one person from Fouman. He studied there for two years, where he attended boarding school, and after passing the exams, at the age of eighteen, went to Kasma Monastery as a teacher at a rural elementary school, where he was a teacher for a year. The following year, in 1960, it was transferred to the Duchy of Chalal, near Fouman. For one year, he ran a four-grade school there alone. At the age of 20, in the year 1961, in the field of literature, he tried and received a diploma. That same year, he was accepted to the University of Tehran Law School for his political studies, and simultaneously studied in elementary and high school. He did not attend class except for a few months in the first year of his education, which coincided with his arrest at a political rally at Tehran University. He only went to university during exams. However, after four years, he was able to obtain his bachelor’s degree in political science from the faculty, and was able to return to teaching in 1941, after a period of dismissal, after an administrative trial. And taught at a school in Fouman County. He would go to college once a month for two days to pick up textbooks from other students and take copies of them.
He wrote his first poem at the age of 14 when he was in eighth grade in high school to be featured in the wall-paper of their school, an eight-bit orphan sonnet. The reason for this naming was quite clear. He said, “From the age of fourteen to sixteen, I had nine poems in total, all of them either entitled orphans or about orphans! Saberi’s first manuscript was published in Omid Iran magazine in 1957 – 1960. The title of that poem was orphaned! Saberi participated in student demonstrations during her first year at the College in 1961 and was beaten and arrested. His neck was badly damaged by batons. He wrote a poem about humor and politics and signed: Foumeni’s broken neck for success. After publishing this poem in a number of Towfigh issues, Saberi was drafted. Until 1966 he occasionally wrote poems for Towfigh. He moved to Tehran with the help of Hussein Towfigh in 1996 and taught at one of Tehran’s high schools. In the evenings, he was Tafiq’s constant colleague and, after a short time, succeeded Hussein Towfigh, who was the editor of Towfigh. In addition to this, he also edited and, in some cases, edited and prepared the material for the editorial staff. He later wrote a fixed column, Eight Days a Week, and was his constant collaborator until the seizure of Tafiq in 1971. His signatures in Towfigh were: Mirzagol, Abdulfanus, White Beard, Lodde, Foumeni’s broken neck and … After the Tafiq holiday closed, Saberi continued teaching. He occasionally wrote serious poems that he rarely published. He later destroyed all of his serious poetry because he believed he was a moderate poet. He didn’t like being average. Saberi married in 1966. The result of this marriage was a boy and a girl. His son Arash died in a car accident in 1985. His death, which is the second year of his studies, left Saberi’s heart hot, but it did not stop her from pursuing a goal of being happy and confronting corruption.
Sabri Foumani’s later life, at the apprentice industrial school in Tehran, became acquainted with Mohammad Ali Rajai, who became prime minister and president after the Islamic Revolution. This acquaintance led to a close friendship between the two and continued until the death of Mohammad Ali Rajai on September 8, 1981. “An Interpretation of Imam Ali’s Order to Malik Ashtar” is the title of the Saberi undergraduate thesis he wrote between 1965 and 1964. Proposed by Shahid Raja’i, this thesis was published as a book and published in early 1977. This book was co-edited by another colleague, Hojatoleslam Sayyid Mohammad Khamenei, the elder brother of Ayatollah Ali Khamenei, before it was distributed to students and the public for some time before that date. In the fifties, Saberi devoted most of his time to study and teaching, and in 1977 obtained a master’s degree in comparative literature from the university. After the revolution, he served in the interim government of Mehdi Bazargan as the general director of commerce at the Ministry of Education, and with the formation of the first government, he was appointed cultural adviser to Prime Minister Mohammad Ali Rajai.
After the Islamic Revolution, he was appointed prime minister for cultural and press consultations during the reign of Shahid Rajai. During the presidency of Shahid Raja’i, he became the President’s cultural adviser and remained in that post until Raja’i was martyred, and was retained during the presidency of Ayatollah Ali Khamenei. In the year 9, while also getting the chance to take up the post of Minister, he suddenly relinquished all his government responsibilities, and after a while, on January 5, he began writing comic diaries under the pseudonym Gol Agha. And under the heading: Two words of account, the content of criticism of the state apparatus and the problems of society appeared on the third page of the newspaper, which was a turning point in post-revolutionary Iranian satire and the revival of post-revolutionary satire. Two words of arithmetic, due to the conditions of Year 2, affected by the war and ideological and violent discussions, succeeded in transforming society with its new language of humor and the use of imaginary characters such as Shagholam, Ghazanfar, Mamsadegh, and Mamsadegh’s wife. Given that the limited atmosphere of those years, it was only Gol Agha. In his work, he increased the tolerance of post-revolutionary Iranian government officials to a degree that would not have been so effective if his satire were just poisonous.
He traveled to India, the former Soviet Union, Algeria, Syria, Italy, France, Switzerland, Thailand, Turkey, Austria, Malaysia, Singapore, Kenya and Germany, and visited the House of God three times during the years 1995, 1985, 1985, and 1986. Overlooked. Political jobs could not accommodate Saberi, so he gradually withdrew from political jobs and expanded the cultural dimension of her work. He was responsible for the Persian Literature Growth Magazine, and occasionally wrote for the Ettela’at newspaper. His Soviet travelogue, later published as a book: Visit to the Soviet Union, was one of these. He had long remembered the idea of creating a political satire column. Saberi overlooked the Hajj in 1984. In the Ba’ath of Imam Khomeini, daily, a bulletin was published for one hundred and fifty thousand Iranian hajj, which included the expression of the rituals and news of Iran, the world, Mecca and Medina. To make this bulletin more readable, he first wrote in the newsletter a daily column in the newsletter called Jafar Agha’s Stories, first in Medina and then in Mecca, which was popular among Iranian pilgrims. Sabri used to say during the Hajj recollections: In Mecca, I went to the Kaaba, and around the Kaaba, I took the pen and went to the Kaaba and said, “I have traded this pen with God in the house of God.” O God, I see that I am taking the path of promoting your religion and my country. Protect me from slips and protect my pen from deviations. After returning from the pilgrimage, he worked on his humor column for a while. Of the several titles, he chose the name of the two words of the account, as well as having a nickname in his Towfigh (Mirzagel) nickname for Gol Agha.
The first two words of Gol Agha’s account were published in the information newspaper on January 23, 1983. The political satire, which had been abolished since about 1980, came to life again with the formation of this satire column. Shortly after the publication began: Two words of account, Saberi emerged as the most important critic of the government in the country. Saberi’s power of pen and boldness in expressing political and social realities had made her the government’s valve, but Saberi continued to do so despite the frustrating comments that some were saying, and in a short time, was able to attract many people’s attention. , Attract officials, writers, writers, and domestic and foreign media. Master Mohammad Ali Jamalzadeh was one of the first to send Saberi a few letters and praised Saberi’s humor. Although he held a high position in the political system, Saberi took the job of political satire more seriously and continued on his way without regard to the hardships of his work.
Nearly six years after the first two words of the account were published, Saberi, who had previously demanded the publication of a serious weekly called The New Season and had earned her rating, quit her job for some reason and demanded a satirical weekly rating. With the name: Gol Agha, he published the first issue of Gol Agha in November 1989. People’s acceptance of the magazine was unthinkable. All copies of the first issue of Gol-Agha were sold throughout Tehran in less than half an hour. Gulagha’s first year issues were later reprinted in wide circulation. Saberi then received the privilege of publishing two more publications. The publication of the first issue of the Gola Agha Magazine in August 1991, as well as the publication of the first Gol Agha Magazine late that year, showed that Saberi had stepped into the country’s satirical satire and that the Iranian people were encouraged to do so. Gol Agha publications, which are read by people of all stripes, are popular, but in the field of humor, as a branch of Persian literature, they are highly regarded and endorsed by scholars and researchers. For example: At the first press exhibition held in May 1992, which coincided with the 4th Tehran International Book Fair, Gol Agha was ranked first among all the publications in the country and received the first press exhibition award (Crystal Tablet and Letter of Credit). He was honored. At the second press exhibition in May, 1993, he received the second prize from all the country’s publications. In May 1994, at the Third Exhibition and the First Press Festival, the first prize and the first prize of the National Press Festival (Golden Tab) were awarded to Gol Agha, and the Religious Writing Committee of the First Press Festival, composed of members of the Iranian Academy of Writing, awarded Gol Agha In the field of spelling and protection of Persian language and literature, he confirmed to the jury members of the Press Festival for the first place.
The problems of publishing the weekly, monthly, yearbook and Golagha books diminished Saberi’s work in information, and finally in 1993, after nine years, led to the temporary closure of the two-word True Entry column. Kioumars Saberi’s familiarity with politics and literature made his writings rich and well-thought-out, both in terms of form and content. He was a formative writer and enormously capable of enlightening the rich sources of Persian literature. Sabri’s style of writing was easy and unobtrusive.
By investing in youth, Kioumars Saberi was able to educate the next generation of humor in the country. He is undoubtedly the country’s most influential satirist on satirical views. Gol Agha’s humor is a mixture of criticism, homosexuality, compassion, fairness, courtesy, devotion, timidity, Randy’s memory, hope and joy. Gol Agha’s character in the two words of the account was a figure of wisdom, a genius, a tyrant, a serious man and a manager who always used to say the first word and never listen to anyone’s debt. Glasses, canes and pens were one of the essentials of Gol Agha. Shoglam, the gullible Gol Agha, was the representative of the most vulnerable and vulnerable who questioned the domestic and foreign policies of the state in a popular and uninformed way, and it is strange that he was always spotted! Gol Agha ؛ was divorced, but his work was naturally popular, and for this reason he was repeatedly punished. The cane shakes, smokes a mustache, pulls and twists the ears, stands upright, hangs on the wall of the samovar, and so on. Mamsadegh represented the people of the alley. He wrote letters to Gol Agha from time to time and sought guidance from Gol Agha in expressing his problems and criticisms. At a minimum, Mamsadegh Wife was the women’s spokesperson in two words. He also wrote a letter to Gol Agha criticizing some or all of the issues concerning women. Mashrab was a village man and a spoof who, before Shagholam’s creation, was an illustrious figure in the two-word column. Later his role in Gol Agha Magazine as well as in the two-word column of account words faded and was gradually eliminated. Ghazanfar, the illiterate, was in charge of public relations at Gol Agha. He was the most unsuspecting member of Shagholam’s brewery, so he was entrusted with the task. Occasionally he got into arguments with Shoglam and Gol Agha or wrote things himself, but it wasn’t! Saberi was the creator of this lovely crowd, expressing the problems and criticisms of his country’s 60 million population. The serious and spiritual personality of Kioumars Saberi was far superior to his satirical character. His contributions to the press, schools, the underprivileged, sanctuaries, kidney and thalassemia patients, Iraqi refugees, the oppressed in Bosnia and Herzegovina and so on were well thought out.
Gol Agha’s activities remain unique to the weekly letter. Mr. Gol Agha, the Agha… Gol Agha, Agha, was a book for publishing the books of humor and cartoons, and finally the Iranian comic house for the breeding of young writers, from other Kioumars Saberi activities. On October 2, 2002, and at the 12th anniversary of the Agha of the week, Mr. Gol’s publication was published by Number 548, Gol AQA decided to shut down the weekly letter for some unknown reasons, and by printing the article number 548, which was not Shaghlam and Ghazanfari, and not Gol Agha, named Saberi from Your decision to end the work of the weekly week. The cause of this sudden stopping is the personal reasons for the last minute of his silence. On January 24, 2008 the daughter of Mr. Saberi, Pak Saberi Fumani, the director of the Agha week’s letter, announced that this week the letter to another secondary notice will not be published and the institute is semi-closed. The activities of Gol Agha Institute are limited to the production of animation as well as updating the Gol Agha website. Kioumars Saberi Foumani After a period of cancer tolerance of leukemia, he said at the Mehr hospital in Tehran on May 1, 2004. While his insistence of three or four people, he had no news of his illness so that he would not be khateri sadden.
Atefeh Talqani, director and producer of cinema and television with documentary production: The Secret of Mr. Gol Agha, during 2011 to 2013, was to analyze the professional life of Kiumars Saberi Fumani. In this documentary, one of Reza Rafie’s last editors in the Journal of Gol Agha, who was a poem in his rants, was in song. Also, for Nowruz 2014, a documentary named: The case was made by Atefeh Talqani, which was depicted by the ministers ‘ view of the time when the caricatures of Gol Agha’s magazine characters were.
Responsibilities and occupations
– Founding board member of the Music Association
– Advisor of Housing and Urban Development minister
– General manager of the Education and Vocational Training Ministry of Education (1979 to 1980)
– Teaching in the class of correspondence
– Teaching in international relations
– Teaching in Islamic Center of filmmaking training
– Cooperation with the Deputy of International Affairs of Ministry of Culture and Islamic Guidance on Honorary adviser (1984 to 1990)
– Selected member of the Supreme Council of the Cultural Revolution in the naming committee
– Iranian board member at the Summit of Non-Aligned Countries (New Delhi 1982)
Works
– From the decree of Hazrat Ali (as) to Malek Ashtar (1999)
– Zahak story analysis and Kaveh Ahangar
– Martyr Rajai and Bani Sadr correspondence
– The first in the Islamic Republic of Iran
– Meet the Soviet Union
– Selection of two words of the Account Letter (Volume 1)
– Selection of two words of the Account Letter (Volume 2)
– Selection of two word accounts (Volume 3)
– Selection of two words of the account Letter (Volume IV)
