● Birthplace: Abarkooh – Yazd
● Website: www.mohammadheidari.com
Biography
He first began learning the calligraphy line under the tutelage of Master Sayyed Hossein Mirkhani. Then, due to the blindness of Master Mirkhani, he continued his work with Master Kaykhosrow Khoroush. He received many trainings in the presence of Master Yadollah Kaboli Khansari, and in their discipline in Nastaliq, in the year 6, and his attachment and attachment continue to this day. He received his master’s degree in 5 years from the Iranian Calligraphers’ Association. High humility and exemplary patience and exemplification are the hallmarks of Master Heidari. He performs the art of calligraphy and the beautifully broken line of Nastaliq with his left hand and with the extraordinary order and ability that is spoken by lovers of calligraphy. Master Yadollah Kaboli Khansari always refers to him as his best student. Master Mohammad Heydari is the secretary of the Artistic Evaluation Council of the Iranian Calligraphers Association. Master Quote: Admired by sunrise and blue sky. I believe that art is in its essence a growth and a fertility and a radiance, and therefore, like the sun in the sky, it makes human life more blue. My fascination with art, especially calligraphy, is rooted in my long-standing attachment to the rising sun. And so I can’t remember the start of this fascination. It was as if I was born with this affection and grew up in me, and after my childhood, in 1969 put the pen in my hands. My teenage years were spent imitating limited and accessible samples.
Master’s personal biography
I was born in the desert. On the twelfth day of May 1959 in a village of Abarkuh (Abarghoo). But my life seems to have begun a decade earlier; with the dawn of the sun shining on calligraphy, Master Yadollah Kaboli Khansari
And since then every decisive event:
1949 – My Master Birth
1959 – Birth
1969 – Beginning of calligraphy
1979 – Introduction and attendance in Mr. Kaboli’s class
1989 – A marriage with Master Fereshteh Hosseini
1999 – Get Master Certification
2009 – The last exhibition of official
2019 – To be ordained…
In the summer of 2009, I was briefly taught by the late Mahmoud Mirzaei at an art school in Tehran, and I was grateful for them for many years before their trip. In the year 9, I was selected for an art competition, and thanks to late Khosro Zaimi, then director of the Calligraphers Association of Iran, who was the referee of the calligraphy department, I went to the House of Love and Art… Iranian Calligraphers Association I became a pupil of Master Hossein Mirkhani through correspondence, and after his illness and emigration from this soil, I became a pupil of the school of Master Kheikhosro Khoroush. 1979 was a year of transformation in my artistic life. Attending the great contemporary scholastic school of Master Yadollah Kaboli Khansari, my artistic life path was clearly defined in the light of this beloved man. In 1981, I was honored with the calligraphy of elders and dignitaries for wearing a teacher’s garment and offering what I gained from Master Talaban to the Taliban in a fine line. The teaching and comprehension continued unabated until now. 1989 was the beginning of another change in my life. Starting a life together with the artist Lady Fereshteh Hosseini, who is one of the blessings of my life, and later the birth of my beloved ones, Alireza (1995) and Negar (2000), which increased my passion for life and gave the artist a new color and splendor.
In 1999, once again, I was honored to be the master of the line-by-line masters. 2009, the last official exhibition of my calligraphy work at the Fallah Gallery, attended by master, artists and art dear friends, a permanent memory in the archive of my mind and now I know well that I know nothing of this mysterious world.
I am still amazed and amazed at my simplicity and beauty and wandering amidst the crisp twist of letters and shekasteh words.
And the year 2019 …?
To where I end up with dirt.
This!
Activities
– Teaching in Iranian Calligraphers Association, since 1981
– Teaching in Azad University, Alzahra University and Kabul University (Afghanistan)
– Setting up individual exhibition in Iran and abroad
– Participation in all collective calligraphy exhibitions since 1981
Works
1983 – Sunshine Riders
1987 – Decree of Hazrat Amir (Ali) to Malek Ashtar
1987 – Book from Neystan
1990 – a broken section of reading a mania
1991 – Mother
1992 – Saghar and Saman
1994 – Eastern Maseleh
– Exquisite art albums and posters
