● Birthplace: Tehran
● Died: 24 February 1980 in Tehran
Biography
Before the beginning of art, he was the case of The Ettelaat Newspaper and edited the information. In 1958, with the presence of dramatic arts classes, he formed a group of Friends of the Roses Theater Ensemble, and in 1961 he joined the Pazargad Theater group. After this time, he continued his activities as a professional theater actor, and left working in The Ettelaat Newspaper and paid for the implementation of roles in the scene and television. During the year 1966, he hired the dramatic Arts Office (Bureau of Theatre programs) and from the same time showed his talent in playing the role of ironic. His shine in such demonstrations: In the war zone, The tenant, The lessee, Francois, Parvarbandan, Woe, A moker, and two Lord, Hassan Kachal, Blessed, The shroud and burial dead, The glass Zoo, The exception and the rule, The story of Man of the Misker, A flam soldier, The informant, The transformation, The upper hand, Jafar Khan The return from Farang, Where the cross, The of the hat, The hand of a hat, A stick to the hands of the Varzil, The House post, The night, A high-speed train, Travelers, Wolves, and six characters in the search of the author, Along with the talent and flexibility of commendable in acting, the possibility of the art of cinema. Playing the role of a roshanfekr talkative and opposite Juan in Clay and Mirrors (1965), Ibrahim Golestan made the first technical presence in front of the camcorder.
Parviz Fannizadeh in the 5th Festival of Sepas (1973) with role playing in The film The Ragbar won The best actor. Film making The Ragbar in The year 1972 in addition to the record of a different effect on the history of Iranian cinema, the starting point of the sparkle was a valuable artist that has remained unrepeatable, Parviz Fannizadeh from seven years before it was active in cinema, but this was a downpour of Ostad Beyzai’s storm that Messi He marked him smoothly.
He also was in two television sets of Daei Jan Napoleon, dircted by Nasser Tghvai, in 1975, In the role of Mash Qasem and Sultan Sahebgharan series, dircted by Ali Hatami, in role The Maligak in the year 1976, showed the role of a tremendous talent to everyone. In the year 1979, he died in the Iranmehr hospital in the tetanus of 42. The film of the death in which he played a role in the time, he remained unfinished with his death and continued his role in the late Reza Karam Rezaei film.
Master Mohammad Ali Keshavarz
The first time I dealt with Parviz, he was in the class of Hamid Samandarian’s recess. Hamid always spoke of his talents, and when he went to the scene for the first time by implementing the role of the ficon of the Polufthansa in the small Ghost Show, with the same role as his artistic essence. The first role that played on the scene was at the pace of the fall in the dangerous days of autumn, which had been the opposite of him. Although it was young and low-experienced, but played his own role so as to visualize all the different aspects of the birth, which was really wonderful, being a playmate with him was my joy.
Cinema
1979 – Death
1978 – Red skin
1978 – Forbidden
1978 – Crystal Gardens
1977 – Friday
1975 – The Last Supper
1975 – A blind owl
1975 – Deers
1973 – Sultan
1973 – Thank every Belle
1972 – The Ragbar
1969 – Cow
1965 – Clay Mirror
TV
1976 – Daei John Napoleon
1975 – Sultan Sahebagaran
