● Birthplace: Hadishahr – East Azerbaijan
Biography
He is a Tar and Setar player, master of Music University and researcher of the main members of the House of Music. He was born in the city of Gargar (Hadi Shahr), from Jolfa City functions in east Azerbaijan province. The students began to learn tar from 12 years in Tabriz, and with Mohammad Hassan Azar, from the disciples of Darvish Khan. He was studying music in Tehran University since 1974, and at the same time began a great course of Iranian music row under Master Ali Akbar Khan Shahnazi. At the Faculty of Fine Arts, he met with Master Dariush Safvat and he found the center for the preservation and dissemination of Iranian music. In this center, he met with masters like Joseph Foroutan, Saeed Hormozi and Mahmoud Karimi, and used their training. After graduating from Tehran University, Pirniakan’s master, continued to teach and work with music groups until the year 1988. He began his cooperation with Mohammadreza Shajarian, since 1979. The result of this cooperation was concerts in the countries of the United States, Canada, England, France, Switzerland, Sweden and Norway and the release of iconic albums of days, the message of breeze, Cypress, the Heart, the sky of Love, the lives of John. Pirniakan founded the Shahnazi Music Ensemble in the year 2001 and received an artistic degree from the Ministry of Culture and Guidance in the same year. He is a master at the Tehran University, a member of the Board of Music and the head of the Shahnazi group, and is currently engaged in the cultural center of the mystic and the Caduceus School of Tar and Setar. From this artist, more than 16 music albums and four image sets come to the market, with a song of seven albums accompanied by Mohammad Reza Shajarian. In addition, the album can be pointed to the blurry solo and three times in the Prairie passion apparatus with the voices of Sediq, a new talk, a voice of Shahram Nazeri and a new album with Hamid Reza Nourbakhsh.
He has also held various administrative positions and responsibilities, including membership of the Board of Directors of the House of Music, membership of the faculty of the University of Tehran, membership of the Special Council and Advisor of the Museum of Music and Arbitration at the various Fajr and Music Festivals of Iran and the Sixth District. The Young Music Festival is one of them. He uses the fabulous style of Ali Akbar Shahnazi in string music, but in the nuances, acoustics and acoustic coloring have gained new experiences. He has also written the line-up of Mr Hossein Qoli on the story of Ali Akbar Shahnazi and has been published by the Mahoor Art Institute. A collection of pieces by Pirianakan, also known as Jelveh Yar, has been published by the same institute. Master Pirniakan is also involved in music research and research, and two written works in this field have been published by him under the title of Iranian music series known as Mirza Abdollah and Jalwah Yar. In addition, he has participated and participated in numerous lectures and seminars, both domestic and foreign.
Works
– Sky of Love – by Mohammad Reza Shajarian
– Cedar Chaman – by Mohammad Reza Shajarian
– Message Breeze – With the song of Mohammad Reza Shajarian
– Del Majnoon – With the song of Mohammad Reza Shajarian
– Remember, – With the song of Mohammad Reza Shajarian
– Disgrace of the heart – with the song of Mohammad Reza Shajarian
– Aram Jan – With the song of Mohammad Reza Shajarian
– Sky – Shahnazi Band – With Hamid Reza Nourbakhsh Singing
– Drunken Alert – Shahnazi Ensemble – Hamid Reza Nourbakhsh Singing
Operating Activities
2014 – Arbitration of the 30th Fajr International Music Festival – Tehran
2016 – Scientific responsibility for compiling the file: making and playing fiddle, to be registered in the list of spiritual and intangible human heritage of UNESCO – Tehran
2018 – Expert and member of the working group of the Art and Architecture Commission of the Supreme Council of the Cultural Revolution
Research
2008 – Author of the book: Jelveh Yar – Subject: Tar Partition – Mahur Cultural and Artistic Institute Publications – Rahli size
2009 – Author of the book: Iranian Instrumental Music Row Mirza Hossein Gholi – Subject: Tar Partition – Mahur Cultural and Artistic Institute Publications – Rahli size
2012 – Thesis Guide: The Effects of the Constitutional Revolution on Iranian Music – Kamyar Nemat Ollahi – University of Tehran
2015 – Article: Accompanying jurisprudence and its place in the Iranian Majlis Majles – Art Research Publications – Dariush Pirniakan and Mehdi Nikjoo
Conferences
– Participation in international conferences: A visual with Iranian traditional music masters – London
– Participation in domestic conferences: Creativity in music from Dariush Pirniakan’s viewpoint
Biography
I was born in Gargar, East Azerbaijan, which is one of the most ancient and ancient regions of Iran. Gregor is a very ancient name, and it appears in the dictionary of Dehkhoda, meaning throne, capital, and one of God’s ten names in Zoroastrianism. Greer is a very ancient region with a rich cultural and historical background. After the opening of the first new schools in Tabriz, the first elementary school was opened in Gregor in year 3. Ferdowsi Elementary School was built 7 years ago by local people and officials. I was born there into a very large family. Gregor has four very large clans, one of which is ours, known as the Bijaniha (Azeri) clan.
My father was a railway employee and a book reader. He was also from Taziyah and singing and played the role of Haram and Imam Hussein very well. My grandfather also read and they said Ali Akbar was going well. She died at the age of two or three. He was an army man, and his father, Abul Hassan Beyk, was an army man, and his father, General Hussein Beyk, had, as my father quoted, testified that one of the descendants of this family would always be in the army. My elder brother Jafar Gholi was also an army. We are four brothers and two sisters. Among my brothers, Bahman is the most cultured and artistic of all living in Mashhad and has been my main guide in music and reading. My child passed away in Tabriz and in Tehran, the neighborhood of the fridge alley. Bahman in Tabriz was associated with all the great musicians. He didn’t do music himself, but he knew music and the instrumental line. My main inspiration was him, who was also a great family man. At the age of four, I would go to my cousin’s son who would play the violin and be protected from playing it. Shortly after, in the morning radio program played by Mr. Mani, I heard the voice of Master Farhang Sharif playing the song: Salam Aliekom. I wake up every morning with the sound of it.
